{"title":"Latin Fine Art Decor - Exclusive Styles \u0026 20% Off!","description":"\u003cp data-start=\"110\" data-end=\"298\"\u003eLatin Fine art decor, It’s time to upgrade your space with our April\u003cstrong\u003e Madness Sale\u003c\/strong\u003e at MLA Gallery! Enjoy \u003cstrong\u003e20% off\u003c\/strong\u003e a curated selection of modern, stylish pieces designed to elevate your home and lifestyle.\u003c\/p\u003e\n\n\u003cp data-start=\"300\" data-end=\"555\"\u003eFrom statement décor to everyday essentials, this limited-time collection brings together our most loved items at exclusive discounted prices. Whether you’re refreshing your space or looking for something special, now is the perfect time to shop and save.\u003c\/p\u003e\n\n\u003cp data-start=\"557\" data-end=\"660\"\u003eDon’t miss out—these deals won’t last forever.\u003cbr\u003eShop your favorites and transform your space for less.\u003c\/p\u003e","products":[{"product_id":"el-comienzo","title":"Theo - El comienzo","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis outstanding Mexican artist Theo, is from Oaxaca. His work reflects some of the sensibility, power, aesthetics, technique, and magic of the very best work from that region. He has spent years as a professor of the arts, at various Mexican Universities, and now divides his time between Mexico City, and Paris.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis painting is oil on canvas, is nicely framed, and measures 36\" x 48\", plus framing. It was done in 2005. We will ship complimentary, if rolled into a secure tube. Otherwise, packing and shipping will be at our cost. Please inquire. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTheo's work embodies alot of the technical mastery of the work of his contemporary, Francisco Toledo. And at 1% the cost of a comparable Toledo, his work represents a good value. Work with this level of brooding intensity is not common in Oaxaca. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis painting is amongst his work from the past 20 years. It is absolutely astonishing in it's power, execution and technique. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBorn as Telesforo Hugo Martinez Ramirez, hence the nickname Theo, in Guanajuato, Mexico, in 1952. He was formerly an art professor at the University of Oaxaca, for many years. Using a typically Oaxacan palette his work resembles that of Tamayo and Toledo, with a hint of Chagall. It is fresh and original, with a definitive surrealist feel, and a great deal of power and intensity. His work is imaginative, colorful, captivating, and possesses a lot of the mysticism that makes Oaxacan art so profound. Theo has developed a language using many of the symbols, which are so prominent in Mexican, Oaxacan, and ancient Toltec folklore, and mythology. Theo has paintings in the permanent collection of Museo del Arte, Mexico City, as well as several prominent private collections in Mexico, Europe, and the United States. He has recently been exhibiting his work at a gallery in Paris, as well as MLA Gallery in Los Angeles.\u003c\/span\u003e\u003c\/p\u003e","brand":"MLA Gallery","offers":[{"title":"Default Title","offer_id":29518189658214,"sku":"7003","price":4500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0087\/6192\/products\/Theo_-_El_Comienzo_-_36_x_48_-_artnet.jpg?v=1566885608"},{"product_id":"corazon","title":"Theo - Corazon","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis outstanding Mexican artist, is from Oaxaca. His work reflects some of the sensibility, power, aesthetics, technique, and magic of the very best work from that region. He has spent years as a professor of the arts, at various Mexican Universities, and now divides his time between Mexico City, and Paris.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis painting is oil on canvas, measures 51\" x 37\", and is unframed, but stretched. It was done in 1984. Many consider the 1980's, to be Theo's strongest period. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTheo's work embodies alot of the technical mastery of the work of his contemporary, Francisco Toledo. And at 1% the cost of a comparable Toledo, his work represents a good value. Work with this level of brooding intensity is not common in Oaxaca. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis painting is amongst his best work from the past 1980's. It is absolutely astonishing in its power, execution and technique. We will ship complimentary, if rolled into a secure tube. Otherwise, packing and shipping will be at our cost. Please inquire. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBorn as Telesforo Hugo Martinez Ramirez, hence the nickname Theo, in Guanajuato, Mexico, in 1952. He was formerly an art professor at the University of Oaxaca, for many years. Using a typically Oaxacan palette his work resembles that of Tamayo and Toledo, with a hint of Chagall. It is fresh and original, with a definitive surrealist feel, and a great deal of power and intensity. His work is imaginative, colorful, captivating, and possesses a lot of the mysticism that makes Oaxacan art so profound. Theo has developed a language using many of the symbols, which are so prominent in Mexican, Oaxacan, and ancient Toltec folklore, and mythology. Theo has paintings in the permanent collection of Museo del Arte, Mexico City, as well as several prominent private collections in Mexico, Europe, and the United States. He has recently been exhibiting his work at a gallery in Paris, as well as MLA Gallery in Los Angeles.\u003c\/span\u003e\u003c\/p\u003e","brand":"MLA Gallery","offers":[{"title":"Default Title","offer_id":29518235926630,"sku":"7008","price":4500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0087\/6192\/products\/IMG_0365.jpg?v=1566887034"},{"product_id":"cabeza-del-hombre-leon","title":"Makinde - Cabeza del hombre leon","description":"\u003cdiv style=\"margin-left: 52px; margin-right: 52px; text-align: justify;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"margin-left: 52px; margin-right: 52px; text-align: justify;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"margin-left: 52px; margin-right: 52px; text-align: justify;\"\u003eArtist- Jaime Makinde\u003c\/div\u003e\n\u003cdiv style=\"margin-left: 52px; margin-right: 52px; text-align: justify;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"margin-left: 52px; margin-right: 52px; text-align: justify;\"\u003e\n\u003cp\u003eThis is one of Makinde's exceptionally good works on paper. The size of this wonderful painting is about 16\" x 16\". It is watercolor and pastel on paper. It was done in 1989 and is unframed.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e*born 21 June 1959 in Habana, Cuba\u003cbr\u003e*working since 1983 as a freelance artist\u003cbr\u003e*wall painting projects, architecturally based art and ceramic projects\u003cbr\u003e*lives and works since 1997 in Renchen, Germany\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eJaime Makinde comes from Cuba and his roots lies in Africa. He use the traditional materials of art in connection with elements of contempory art and surrealism.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eThe motives of his work takes the viewer into the world of possibility. In his work one finds fantastic constructions and confusing landscapes with organic formation. Everything seems to be in constant change. It seems to be a dream world. But not only a dream world. The organic life constantly trains itself further - a bizarre machinery of plants, animals and human forms. Between them - the columns of the human rule. Jaime Makinde is active in different kinds of art. His works requests the viewer to dare himself, or herself  to peer into the secrets behind the laws, to open doors, to enter areas or follow floating objects.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFor more info call us at (323) 792-3779, or to see a greater selection of the gallery work, please visit our Artnet site at:\u003c\/p\u003e\n\u003cdiv\u003e\u003ca href=\"http:\/\/www.artnet.com\/galleries\/mla-gallery\/\" rel=\"noopener noreferrer\" target=\"_blank\"\u003ehttp:\/\/www.artnet.com\/galleries\/mla-gallery\/\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"MLA Gallery","offers":[{"title":"Cabeza del hombre leon","offer_id":29524154056806,"sku":"8056","price":1200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0087\/6192\/products\/Makinde_-_Lions_head_-_16_x_16_-_1989_-_mm_paper.jpg?v=1567047955"},{"product_id":"los-dosis","title":"Raul Enmanuel - Los Dosis","description":"\u003cdiv style=\"margin-left: 52px; margin-right: 52px; text-align: justify;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"margin-left: 52px; margin-right: 52px; text-align: justify;\"\u003e\n\u003cbr\u003e\n\u003cp\u003edone in 2007\u003c\/p\u003e\n\u003cp\u003emedium-  a\u003cspan\u003ecrylic, charcoal, and material (wood particles, and moulding paste) on canvas.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003esize -50\" x 40\"\u003c\/p\u003e\n\u003cdiv\u003eThis painting is a striking example of Enmanuel’s growing mastery of the canvas medium. His command of texture, composition, symbology, and technique continues to strengthen, and this latest work clearly reflects that evolution. While the imagery leans toward abstraction, Enmanuel has indicated that these paintings represent feminine, divine beings—benevolent, protective, and supportive in nature. The result is a powerful visual presence, where symbolic forms merge seamlessly with the abstract, tropical landscape aesthetic for which he has become increasingly recognized.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eEnmanuel has transformed these historical touchstones into a wholly original iconography—one that reflects a profound reverence for nature and carries a depth and intensity rarely encountered in contemporary painting. The tropical, atmospheric qualities for which he has become known are seamlessly integrated, creating a work that is both intellectually grounded and visually commanding.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eAt MLA, we focus on artists whose work demonstrates both conceptual rigor and exceptional technical mastery. Enmanuel embodies this rare convergence.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThis painting is part of his most recent series, with a limited number of related works available. Private inquiries are welcomed.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eEnmanuel's work was prominently featured in the 4th season of the Fox Television's show \"Prison Break\". It was used to decorate the loft space in the show, and his work can be seen in a number of episodes.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe origins of his iconography are in the early work of Wifredo Lam. One can see elements that are a reminder of this great artist's work. Though Enmanuel has used these elements as a point of inspiration, he has succeeded in making the work entirely his own. He has focused on Lam's early jungle work as a jumping off point, to create a body of symbols, and a language that depicts a reverence for Mother Nature, and his work has a power and intensity that is rarely found in contemporary art. We at MLA search for contemporary artists that have both conceptual genius, and technical mastery. A combination of qualities rarely found today, but present in abundance in the work of this brilliant artist. Enmanuel was selected to create two huge murals in Cuba. One is a 40 ft. mural at the Railway Station in Santiago, and the other is a 30 ft. mural in the lobby of the Melia Cohiba, which is the top hotel in Eastern Cuba. These are both extremely prestigious projects, and have placed this great artist in an important historical context. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWe have been in business for 26 years, and enjoy a very good feedback rating. We believe in, and offer outstanding customer service. We offer a life-time trade in policy. Please inquire. We enjoy a very good feedback rating. Check out MLA Gallery, Los Angeles on Google or on Facebook, at \u003ca href=\"https:\/\/www.facebook.com\/mlagallery\/\"\u003ehttps:\/\/www.facebook.com\/mlagallery\/\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eMLA Gallery has many other paintings by Enmanuel, as well as a large selection of paintings, graphics, sculptures, and drawings by established Latin artists, and Latin Masters. Please inquire for many others. We will ship complimentary, if shipped rolled in a secure tube. Otherwise, we will pack and ship at our cost. Please inquire. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSome biographical info on Enmanuel is as follows:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRAUL ENMANUEL POZO - BIOGRAPHY\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBorn in San Luis, Santiago, Cuba, 1958\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eStudies\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1980-1985 Higher Institute of Art “CUBANACAN”, Havana, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1976-1980 National School of Art “CUBANACAN”, Havana, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1973- 1976   School for Plastic Arts Jose Joaquin Tejada, Santiago de Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSolo Exhibitions\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2004 – La locomotora de mi papa, Canvas Gallery, San Juan, Puerto Rico\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2002 – Buscando Caminos, Galeria Juan Marinillo, Institute for the Friendship\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e            with People, Havana, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2000 – Mi Tiempo Vegetal, Casa de Teatro, Santo Domingo, Dominican Republic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1999 – Mi Tiempo Vegetal, Casa de Arte, Santiago de los Caballeros, Dominican\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e            Republic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1999 – Acrilicos sobre Telas, Galeria Oriente, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1994 – Galeria Coral, Santa Fe de Bogota, Colombia\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1993 – Tropico, Center of Applied Studies, Santo Domingo, Dominican Republic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1991 – Amuletos Recuerdo de mis abuelos, Galeria Oriente, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1989 - Dibujos sobre Cartulinas, Galeria Cine Cuba, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1988 – Dibujos sobre Cartulinas, Festival of Cuban Culture, Burdeo, France\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1987 – 2nd annual Festival of Cuban Culture, Havana, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1987 – Apuntes para un Proyecto, Galeria de Arte Universal, Manzanillo, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1986 – De lo Nuestro La Vegetacion, Galeria de Arte Universal, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1985 – Muntu, Galeria Galeano, Havana, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCollective Exhibitions\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eParticipated in over 50 group shows in Cuba, the Dominican Republic, Colombia,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePortugal, France, and the United States.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2008 – The Americas Collection – Coral Gables, Florida\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2008 – Featured artist - Spring Brewery Artwalk, MLA Gallery, Los Angeles, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2008 – Spring Brewery Artwalk, LS Contemporary, Los Angeles, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2007 – Fall Brewery Artwalk, MLA Gallery, Los Angeles, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2007 – Outstanding new contemporary artists, LS Contemporary, Los Angeles, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2007 – Elements of Abstraction, Gallery on State, Santa Barbara, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2006 – Brewery Artwalk, MLA Gallery, Los Angeles, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2005 – Crosscurrents, Soho Gallery, Studio City, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2005 – Contemporary Visions, Audis Husar Fine Art, Beverly Hills, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2005 – Brewery Artwalk, MLA Gallery, Los Angeles, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2004 – Tropical Profundo, MLA Gallery, Los Angeles, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2004 – Brewery Artwalk, MLA Gallery, Los Angeles, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2003 - Brewery Artwalk, MLA Gallery, Los Angeles, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2003 - Cuban Artists, Gallery Nader, Santo Domingo, Dominican Republic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2002 – Brewery Artwalk, MLA Gallery, Los Angeles, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2002 – Cuban Painters, Naipe Museum, Havana, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2001 – Cuban Artists, Gallery Nader, Santo Domingo, Dominican Republic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e2000 – Four Abstract Painters, Galeria San Ignacio, Havana, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2000 - Participant in the 7th Havana Biennial\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1999 - End of the Century Hall, Emilio Bacardi Museum, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1999 - Serigraphy Workshop, Taller Rene Portocarrero, Havana, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1999 - Cuban Painters, Museum of the Americas, San Juan, Puerto Rico\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1998 - Galeria de Arte Universal, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1998 - Galeria Oriente, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1997 - Salon de 30 de Noviembre, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1996 - The Gallery of the Hotel Melia Cohiba, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1995 - House of Culture Gallery, Lisbon, Portugal\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1994 - Art Center Gallery, Nelva, Colombia\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1994 – Five Cuban Painters, Viva del Arte Galeria, Bogota, Colombia\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1993 - Four Cuban Painters, Art Gallery of the Dominican Institute of Applied\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e            Studies ( IDEA), Santo Domingo, D.R.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1990 – Contemporary Painting, Center for Dominican Architecture, Santo                                  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e            Domingo, Dominican Republic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1988 – Cuban Painters, Centro de Arte 501, San Francisco\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1988 - Cultural Assets Hall Fund, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1987 - Salon 30 de Noviembre, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1987 - Galeria de Arte Universal, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1986 - Seven Cuban Painters, Gallery of the House of Culture, Havana, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1986 - Participant in the 2nd Havana Biennial\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1985 - Students Hall of the Hermanos Sainz Brigade, Galerie Oriente, Santiago,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e            Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1984 – Students Hall, Higher Institute of Art, Cubanacan, Havana, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1984 - Participant in the 1st Havana Biennial – A Tribute to the Triumph of the\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e            Cuban Revolution, Lobby of the Carl Marx Theatre, Havana, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMurals\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRestaurant of Melia Cohiba Hotel, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRailway Terminal, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eExecutive Airport, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAwards\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1999 - National Prize of Serigraphy, Workshop “Rene Portocarrero”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1998 - Cuban Cultural Assets Fund, 1st prize for painting\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1998 - Salon Fin de Siglo, National Union of Cuban Writers and Artists (UNEAC)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1997 - Honorable mention – Emilio Bacardi Museum, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1997 - First Prize, Acquisition for Permanent Collection, Emilio Bacardi Museum,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e            Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1989 - National Award for the Painting on Canvas, TELARTE Vll, Cultural assets\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e            of Cuba Fund\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1987 - Honorable mention, Painting, City Hall, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1986 – 1st Prize for the Carnival Poster, San Luis, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1985 - Honorable mention, Students Hall of the Hermanos Sainz Brigade,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e           Galeria Oriente, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1984 – 1st Prize for the Carnival Poster, San Luis, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDistinctions\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1998 - Shield of Villa de San Luis de las Enramadas, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1997 – Official Key of the Cultural Assets of Cuba Fund, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e            Member of UNEAC (National Union of Cuban Writers and Artists)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e            Member of the International Association of Plastic Artists\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCollections\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHis works can be found in many permanent and private collections.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEmilio Bacardi Museum, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMuseo Polivalente, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCenter of Art Ceballo Estrella, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMLA Gallery Collection, Los Angeles, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBanco de Reservas, Santo Domingo, D.R.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn addition to many private collections throughout Cuba, the Dominican Republic,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eColombia, Mexico, Jamaica Spain, Germany, France, Italy, Portugal, and the \u003c\/span\u003e\u003cspan\u003eUnited States.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFor more info call us at (323) 792-3779, or to see a greater selection of the gallery work, please visit our Artnet site at:\u003c\/p\u003e\n\u003cdiv\u003e\u003ca href=\"http:\/\/www.artnet.com\/galleries\/mla-gallery\/\" target=\"_blank\"\u003ehttp:\/\/www.artnet.com\/galleries\/mla-gallery\/\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n \u003c\/div\u003e","brand":"MLA Gallery","offers":[{"title":"Los Dosis","offer_id":29544744157286,"sku":"8053","price":4500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0087\/6192\/products\/IMG_2114.JPG?v=1567657273"},{"product_id":"ouaichai-beauty-of-asia-iv","title":"Ouaichai Beauty of Asia IV","description":"\u003cdiv style=\"margin-left: 52px; margin-right: 52px; text-align: justify;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"margin-left: 52px; margin-right: 52px; text-align: justify;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"margin-left: 52px; margin-right: 52px; text-align: justify;\"\u003e\n\u003cp\u003eAttasit Pokpong has established an very successful genre of Chinese Pop, in Thailand. His fame and fortune has encouraged an entire movement, which explores themes of Chinese Pop, in a distinctly Thai manner.Since Pokpong has long ago stopped doing his street scenes, and recently evolved his portraits into a muddier, more diffused style, that is not as popular with the collectors of this gallery, we have gone in search of other artists, emulating this style.Khamsin Ouaichai is at the top of this group of artists.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eThis painting measures 120cm. x 120cm. (47\"x 47\"). It is oil on canvas. The image barely does justice to the work. \u003c\/p\u003e\n\u003cp\u003eThese paintings are far more beautiful in person, than they are in the images. The photos barely capture the subtle beauty of the work, and the mastery of the technique. We offer a money back guarantee on these lovely paintings, however to date, not a single one has been returned.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eOuaichai is not an art star, like Pokpong, but he is very well regarded for his technical mastery. In a region not well known for it's conceptual edge, he has demonstrated an ability to convey ideas which are distinctive, mysterious, and compelling. His technical mastery, combined with his fresh take on everyday life, in this part of the world, combine to make his work stimulating, and gorgeous, while at the same time creating a great deal of intrigue.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eThese paintings are priced at less than a fifth the price of a comparable work by Pokpong. We still have a few works remaining by Pokpong. If interested please inquire, and we will send you images and details.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eFor more info call us at (323) 792-3779, or email us at latinfineart@gmail.com or check out our recently updated Artnet site at:\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.artnet.com\/galleries\/mla-gallery\/\" rel=\"noopener noreferrer\" target=\"_blank\"\u003ehttp:\/\/www.artnet.com\/galleries\/mla-gallery\/artworks\/\u003c\/a\u003e  \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"MLA Gallery","offers":[{"title":"Ouaichai Beauty of Asia IV","offer_id":31407760900198,"sku":"04210","price":1950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0087\/6192\/products\/Ouaichai_-_Beauty_of_Asia_XII_-_120cm._x_120cm_-_lo_res.jpg?v=1581395467"},{"product_id":"raul-enmanuel-circular","title":"Raul Enmanuel - Circular","description":"\u003cdiv style=\"margin-left: 52px; margin-right: 52px; text-align: justify;\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSome biographical info on Enmanuel is as follows:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRAUL ENMANUEL POZO - BIOGRAPHY\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBorn in San Luis, Santiago, Cuba, 1958\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eStudies\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1980-1985 Higher Institute of Art “CUBANACAN”, Havana, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1976-1980 National School of Art “CUBANACAN”, Havana, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1973- 1976   School for Plastic Arts Jose Joaquin Tejada, Santiago de Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSolo Exhibitions\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2004 – La locomotora de mi papa, Canvas Gallery, San Juan, Puerto Rico\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2002 – Buscando Caminos, Galeria Juan Marinillo, Institute for the Friendship\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e            with People, Havana, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2000 – Mi Tiempo Vegetal, Casa de Teatro, Santo Domingo, Dominican Republic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1999 – Mi Tiempo Vegetal, Casa de Arte, Santiago de los Caballeros, Dominican\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e            Republic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1999 – Acrilicos sobre Telas, Galeria Oriente, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1994 – Galeria Coral, Santa Fe de Bogota, Colombia\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1993 – Tropico, Center of Applied Studies, Santo Domingo, Dominican Republic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1991 – Amuletos Recuerdo de mis abuelos, Galeria Oriente, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1989 - Dibujos sobre Cartulinas, Galeria Cine Cuba, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1988 – Dibujos sobre Cartulinas, Festival of Cuban Culture, Burdeo, France\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1987 – 2nd annual Festival of Cuban Culture, Havana, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1987 – Apuntes para un Proyecto, Galeria de Arte Universal, Manzanillo, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1986 – De lo Nuestro La Vegetacion, Galeria de Arte Universal, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1985 – Muntu, Galeria Galeano, Havana, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCollective Exhibitions\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eParticipated in over 50 group shows in Cuba, the Dominican Republic, Colombia,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePortugal, France, and the United States.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2008 – The Americas Collection – Coral Gables, Florida\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2008 – Featured artist - Spring Brewery Artwalk, MLA Gallery, Los Angeles, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2008 – Spring Brewery Artwalk, LS Contemporary, Los Angeles, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2007 – Fall Brewery Artwalk, MLA Gallery, Los Angeles, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2007 – Outstanding new contemporary artists, LS Contemporary, Los Angeles, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2007 – Elements of Abstraction, Gallery on State, Santa Barbara, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2006 – Brewery Artwalk, MLA Gallery, Los Angeles, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2005 – Crosscurrents, Soho Gallery, Studio City, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2005 – Contemporary Visions, Audis Husar Fine Art, Beverly Hills, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2005 – Brewery Artwalk, MLA Gallery, Los Angeles, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2004 – Tropical Profundo, MLA Gallery, Los Angeles, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2004 – Brewery Artwalk, MLA Gallery, Los Angeles, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2003 - Brewery Artwalk, MLA Gallery, Los Angeles, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2003 - Cuban Artists, Gallery Nader, Santo Domingo, Dominican Republic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2002 – Brewery Artwalk, MLA Gallery, Los Angeles, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2002 – Cuban Painters, Naipe Museum, Havana, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2001 – Cuban Artists, Gallery Nader, Santo Domingo, Dominican Republic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e2000 – Four Abstract Painters, Galeria San Ignacio, Havana, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2000 - Participant in the 7th Havana Biennial\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1999 - End of the Century Hall, Emilio Bacardi Museum, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1999 - Serigraphy Workshop, Taller Rene Portocarrero, Havana, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1999 - Cuban Painters, Museum of the Americas, San Juan, Puerto Rico\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1998 - Galeria de Arte Universal, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1998 - Galeria Oriente, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1997 - Salon de 30 de Noviembre, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1996 - The Gallery of the Hotel Melia Cohiba, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1995 - House of Culture Gallery, Lisbon, Portugal\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1994 - Art Center Gallery, Nelva, Colombia\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1994 – Five Cuban Painters, Viva del Arte Galeria, Bogota, Colombia\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1993 - Four Cuban Painters, Art Gallery of the Dominican Institute of Applied\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e            Studies ( IDEA), Santo Domingo, D.R.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1990 – Contemporary Painting, Center for Dominican Architecture, Santo                                  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e            Domingo, Dominican Republic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1988 – Cuban Painters, Centro de Arte 501, San Francisco\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1988 - Cultural Assets Hall Fund, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1987 - Salon 30 de Noviembre, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1987 - Galeria de Arte Universal, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1986 - Seven Cuban Painters, Gallery of the House of Culture, Havana, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1986 - Participant in the 2nd Havana Biennial\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1985 - Students Hall of the Hermanos Sainz Brigade, Galerie Oriente, Santiago,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e            Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1984 – Students Hall, Higher Institute of Art, Cubanacan, Havana, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1984 - Participant in the 1st Havana Biennial – A Tribute to the Triumph of the\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e            Cuban Revolution, Lobby of the Carl Marx Theatre, Havana, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMurals\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRestaurant of Melia Cohiba Hotel, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRailway Terminal, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eExecutive Airport, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAwards\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1999 - National Prize of Serigraphy, Workshop “Rene Portocarrero”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1998 - Cuban Cultural Assets Fund, 1st prize for painting\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1998 - Salon Fin de Siglo, National Union of Cuban Writers and Artists (UNEAC)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1997 - Honorable mention – Emilio Bacardi Museum, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1997 - First Prize, Acquisition for Permanent Collection, Emilio Bacardi Museum,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e            Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1989 - National Award for the Painting on Canvas, TELARTE Vll, Cultural assets\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e            of Cuba Fund\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1987 - Honorable mention, Painting, City Hall, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1986 – 1st Prize for the Carnival Poster, San Luis, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1985 - Honorable mention, Students Hall of the Hermanos Sainz Brigade,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e           Galeria Oriente, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1984 – 1st Prize for the Carnival Poster, San Luis, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDistinctions\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1998 - Shield of Villa de San Luis de las Enramadas, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1997 – Official Key of the Cultural Assets of Cuba Fund, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e            Member of UNEAC (National Union of Cuban Writers and Artists)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e            Member of the International Association of Plastic Artists\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCollections\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHis works can be found in many permanent and private collections.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEmilio Bacardi Museum, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMuseo Polivalente, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCenter of Art Ceballo Estrella, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMLA Gallery Collection, Los Angeles, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBanco de Reservas, Santo Domingo, D.R.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn addition to many private collections throughout Cuba, the Dominican Republic,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eColombia, Mexico, Jamaica Spain, Germany, France, Italy, Portugal, and the \u003c\/span\u003e\u003cspan\u003eUnited States.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFor more info call us at (323) 792-3779, or to see a greater selection of the gallery work, please visit our Artnet site at:\u003c\/p\u003e\n\u003cdiv\u003e\u003ca href=\"http:\/\/www.artnet.com\/galleries\/mla-gallery\/\" target=\"_blank\"\u003ehttp:\/\/www.artnet.com\/galleries\/mla-gallery\/\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAcrylic, charcoal, gesso, and crushed marble, or wood fibers, on 140lb. Arches Aquarelle paper, with deckled edges. 30” x 22”, all of these works on paper were done between 2003 and 2009.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSeveral articles have been written by renowned art critics on this artist. Please inquire.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis is a wonderful example of Enmanuel's increasing command of the paper medium. His texture, composition, symbology, and technical mastery continue to improve. This is his more recent work, and though his imagery leans toward the abstract, he has hinted that these paintings are representative of feminine, divine beings of a benevolent, and supportive nature. There is great power in these paintings, and the imagery seems to be blended with the abstract, tropical landscape quality he has become known for. Though there are hints of where Enmanuel's points of inspiration come from, the iconography he has developed is entirely his own. You may consult his bio for more details. There are several more paintings from this series available. Please inquire.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEnmanuel's work was prominently featured in the 4th season of the Fox Television's show \"Prison Break\". It was used to decorate the loft space in the show, and his work can be seen in a number of episodes.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe origins of his iconography are in the early work of Wifredo Lam. One can see elements that are a reminder of this great artist's work. Though Enmanuel has used these elements as a point of inspiration, he has succeeded in making the work entirely his own. He has focused on Lam's early jungle work as a jumping off point, to create a body of symbols, and a language that depicts a reverence for Mother Nature, and his work has a power and intensity that is rarely found in contemporary art. We at MLA search for contemporary artists that have both conceptual genius, and technical mastery. A combination of qualities rarely found today, but present in abundance in the work of this brilliant artist. Enmanuel was selected to create two huge murals in Cuba. One is a 40 ft. mural at the Railway Station in Santiago, and the other is a 30 ft. mural in the lobby of the Melia Cohiba, which is the top hotel in Eastern Cuba. These are both extremely prestigious projects, and have placed this great artist in an important historical context. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWe have been in business for 20 years, and enjoy a very good feedback rating. We believe in, and offer outstanding customer service. We offer a life-time trade in policy. Please inquire. We enjoy a very good feedback rating. Check out MLA Gallery, Los Angeles on Google or on Facebook, at \u003ca data-mce-fragment=\"1\" href=\"https:\/\/www.facebook.com\/mlagallery\/\"\u003ehttps:\/\/www.facebook.com\/mlagallery\/\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMLA Gallery has many other paintings by Enmanuel, as well as a large selection of paintings, graphics, sculptures, and drawings by established Latin artists, and Latin Masters. Please inquire for many others.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"MLA Gallery","offers":[{"title":"Circular","offer_id":31436737806438,"sku":"2201","price":1200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0087\/6192\/products\/Enmanuel_-_Circular_B-_22_x_30_WOP_2.jpg?v=1582180252"},{"product_id":"streets-of-bangkok-1","title":"Attasit Pokpong - Streets of Bangkok","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis is one of Pokpong's older street scenes. Done in 2005. It measures 160cm. x 120cm. (63\" x 47\") and is oil on canvas. This is a masterpiece that will likely appreciate significantly over time. \u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eThis \"classic\" style is preferred by many of his collectors. This is the first time this gallery has had one of these portraits, in many years. As you can see, the recent auction results are climbing. That makes this rare, and difficult to find painting a real bargain. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAttasit Pokpong has become one of Thailand's top contemporary artists. He has demonstrated an ability to convey ideas which are distinctive, mysterious, and compelling. Pokpong's technical mastery, combined with his fresh take on everyday life, in this part of the world, combine to make his work stimulating, and gorgeous, while at the same time creating a great deal of intrigue. His recent shows in Bangkok and worldwide have sold out. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePokpong is now showing at Art Basel, both in Miami and in Basel. He is represented worldwide, but, none of this style of work is available anywhere, except from this gallery. These paintings are far more beautiful in person, than they are in the images. The photos just cannot capture the subtle beauty of the work, nor the mastery of the technique. For this reason we offer a money back guarantee on these lovely paintings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAttasit Pokpong CV\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cb\u003eEducation\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArchiwa Nakhon Sawan College, Nakhon Sawan, Thailand.\u003cbr\u003e-Phochan Faculty, Rajamonkong Institute of Technology, Bangkok, Thailand.\u003cbr\u003e-BA degree in Art Rajamonkong Technology Centre, Bangkok, Thailand.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eThailand Exhibitions\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e1998 -\u003c\/b\u003e Group show entitled “Colour and Light” at Wittayalai Phochan Art College Anniversary Exhibit, Bangkok, Thailand.\u003c\/p\u003e\n\u003cp\u003e“Color and Light”, Porchang Institute, Bangkok, Thailand.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e1999 -\u003c\/b\u003e Group Art Show \u0026amp; SON-SILP Group Art Show, Bangkok, Thailand.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e2004 -\u003c\/b\u003e Collective Art Show of artists from the Northern Thailand, “Free-Land” Department Store, Bangkok, Thailand. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eExhibition entitled “Emotion and Movement”, with Mr Kitti Narod, River City Shopping Mall, Bangkok, Thailand.\u003c\/p\u003e\n\u003cp\u003e“My View”, Watercolor show, Amari Watergate Hotel Gallery, Bangkok, Thailand.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e2005 -\u003c\/b\u003e\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eWatercolor exhibition, Thailand Cultural Show and Paintings Exhibition, Nakemequrs GT Plaza Hall, Bangkok, Thailand.\u003c\/p\u003e\n\u003cp\u003eThailand Paintings Exhibition, Thai Ambassadors Residence, Bangkok, Thailand.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e2006 -\u003c\/b\u003e Solo show, “About Town”, The Den Gallery, Bangkok, Thailand\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e2007 -\u003c\/b\u003e Group Exhibit, River City Shopping Centre, Bangkok, Thailand.\u003c\/p\u003e\n\u003cp\u003eSolo show, “The Way of Life”, Gossip Gallery, Bangkok, Thailand\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e2008 -\u003c\/b\u003e Solo show, Pokpong, Jumjuree, Bangkok, Thailand\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e2009-\u003c\/b\u003e Solo show, Jumjuree Gallery, Bangkok, Thailand\u003c\/p\u003e\n\u003cp\u003e\" STAR IN THE PAST \"  Bkk, Thailand \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2011 - \u003c\/span\u003eUp to Gu, Bangkok, Thailand\u003c\/p\u003e\n\u003cp\u003eBlack and White paintings, Bangkok, Thailand\u003c\/p\u003e\n\u003cp\u003eThe Soul of Asia Gallery, Surin Beach, Phuket, Thailand\u003c\/p\u003e\n\u003cp\u003eKoi Art Gallery, Bangkok, Thailand\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e2012 -\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/b\u003e Up to Gu, Bangkok, Thailand\u003c\/p\u003e\n\u003cp\u003eBlack and White paintings, Bangkok, Thailand\u003c\/p\u003e\n\u003cp\u003eThe Soul of Asia Gallery, Surin Beach, Phuket, Thailand\u003c\/p\u003e\n\u003cp\u003eKoi Art Gallery, Bangkok, Thailand\u003c\/p\u003e\n\u003cp\u003eGroup exhibition – Black and White paintings, Bangkok, Thailand\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e2013 \u003c\/b\u003e– Solo Exhibition “Inner Soul” at Koi Art Gallery, Bangkok, Thailand\u003c\/p\u003e\n\u003cp\u003eInner Soul, Koi Art Gallery, Bangkok, Thailand\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cb\u003e2014- \u003c\/b\u003e\u003c\/span\u003e“Don’t Quit Your Day Dream”, Koi Art Gallery, Bangkok, Thailand\u003c\/p\u003e\n\u003cp\u003eVisage, La Lanta Fine Art, Bangkok, Thailand\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e2016-\u003c\/b\u003e Adler Subhashok Gallery, Bangkok, Thailand\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cb\u003e2017 -\u003c\/b\u003e \u003c\/span\u003eKoi Art Gallery, Bangkok, Thailand\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eInternational Exhibits\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e2006-2007\u003c\/b\u003e Solo and Group shows in Hong Kong and Japan. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e2008 –\u003c\/b\u003eThe Chelsea Art Show, London\u003c\/p\u003e\n\u003cp\u003eThe Cork Art Fair, Cork. Ireland\u003c\/p\u003e\n\u003cp\u003eArt Ireland Autumn Collection, Dublin, Ireland\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe Edinburgh Art Show, Edinburgh, Scotland\u003c\/p\u003e\n\u003cp\u003eMLA Gallery, Spring Brewery Artwalk, Los Angeles, CA.\u003c\/p\u003e\n\u003cp\u003eMLA Gallery, Fall Brewery Artwalk, Los Angeles, CA.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e2009\u003c\/b\u003e – MLA Gallery, Spring Brewery Artwalk, Los Angeles, CA\u003c\/p\u003e\n\u003cp\u003eMLA Gallery, Fall Brewery Artwalk, Los Angeles, CA\u003c\/p\u003e\n\u003cp\u003eHongkosun Gallery, Solo show, Shanghai, China\u003c\/p\u003e\n\u003cp\u003eChina House Gallery, Phnom Penh, Cambodia\u003c\/p\u003e\n\u003cp\u003eGalerie Artes, Paris, France\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e2010 -\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/b\u003e Absolute Art Gallery, Brugge, Belgium\u003c\/p\u003e\n\u003cp\u003eChinese House, Phnom Penh, Cambodia\u003c\/p\u003e\n\u003cp\u003eKromatik Art gallery, Beirut, Lebanon\u003c\/p\u003e\n\u003cp\u003eMLA Gallery, Spring and Fall Brewery Artwalk, Los Angeles, CA\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e2011 – \u003c\/b\u003eLeonhard’s Gallery, Antwerp, Belgium\u003c\/p\u003e\n\u003cp\u003eKromatik Art Gallery, Beirut, Lebanon\u003c\/p\u003e\n\u003cp\u003eBeijing ArtFair, Beijing, China\u003c\/p\u003e\n\u003cp\u003eGroup exhibition, Hong Kong\u003c\/p\u003e\n\u003cp\u003eMLA Gallery, Spring and Fall Brewery Artwalk, Los Angeles, CA\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e2012 –\u003c\/b\u003e Art Basel, Switzerland. Represented by La Lanta Fine Art.\u003c\/p\u003e\n\u003cp\u003eArt Basel, Miami, Florida. Represented by La Lanta Fine Art.\u003c\/p\u003e\n\u003cp\u003eMLA Gallery, Spring and Fall Brewery Artwalk, Los Angeles, CA\u003c\/p\u003e\n\u003cp\u003ePlantation Urban Resort and Spa, Cambodia\u003c\/p\u003e\n\u003cp\u003eAffordable Art Fair Singapore\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e2013 –\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/b\u003e MLA Gallery, Los Angeles, CA.\u003c\/p\u003e\n\u003cp\u003eArt Basel, Switzerland. Represented by La Lanta Fine Art.\u003c\/p\u003e\n\u003cp\u003eArt Basel, Miami, Florida. Represented by La Lanta Fine Art.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e2014 -\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003e\u003c\/b\u003eMLA Gallery, Spring Brewery Artwalk, Los Angeles, CA.\u003c\/p\u003e\n\u003cp\u003eArt Basel, Switzerland. Represented by La Lanta Fine Art.\u003c\/p\u003e\n\u003cp\u003eArt Basel, Miami, Florida. Represented by La Lanta Fine Art.\u003c\/p\u003e\n\u003cp\u003eAsia Contemporary Art Show, Hong Kong\u003c\/p\u003e\n\u003cp\u003eMLA Gallery, Spring and Fall Brewery Artwalk, Los Angeles, CA\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e2015 -\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003e\u003c\/b\u003eMLA Gallery,\u003cb\u003e \u003c\/b\u003eSpring Brewery Artwalk, Los Angeles, CA\u003c\/p\u003e\n\u003cp\u003eMLA Gallery, Fall Brewery Artwalk, Los Angeles, CA\u003c\/p\u003e\n\u003cp\u003eArt Basel, Switzerland. Represented by La Lanta Fine Art.\u003c\/p\u003e\n\u003cp\u003eArt Basel, Miami, Florida. Represented by La Lanta Fine Art.\u003c\/p\u003e\n\u003cp\u003eArt Taipei, Taipei, Taiwan\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e2016- \u003c\/b\u003eMLA Gallery,\u003cb\u003e \u003c\/b\u003eSpring Brewery Artwalk, Los Angeles, CA\u003c\/p\u003e\n\u003cp\u003eMLA Gallery, Fall Brewery Artwalk, Los Angeles, CA\u003c\/p\u003e\n\u003cp\u003eArt Basel, Switzerland. Represented by La Lanta Fine Art.\u003c\/p\u003e\n\u003cp\u003eArt Basel, Miami, Florida. Represented by La Lanta Fine Art.\u003c\/p\u003e\n\u003cp\u003eArt Taipei, Taipei, Taiwan\u003c\/p\u003e\n\u003cp\u003eBeyond a Shadow, S.A.C. Gallery, Bangkok, Thailand\u003c\/p\u003e\n\u003cp\u003eArt Stage, Singapore\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e2017- \u003c\/b\u003eMLA Gallery, Spring Brewery Artwalk, Los Angeles, CA.\u003c\/p\u003e\n\u003cp\u003eArt Basel, Switzerland. Represented by La Lanta Fine Art.\u003c\/p\u003e\n\u003cp\u003eArt Basel, Miami, Florida. Represented by La Lanta Fine Art.\u003c\/p\u003e\n\u003cp\u003eAsia Contemporary Art Show, Hong Kong\u003c\/p\u003e\n\u003cp\u003eMLA Gallery, Spring and Fall Brewery Artwalk, Los Angeles, CA\u003c\/p\u003e\n\u003cp\u003eVolta Basel, Switzerland\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e2018 - \u003c\/b\u003eMLA Gallery, Spring Brewery Artwalk, Los Angeles, CA.\u003c\/p\u003e\n\u003cp\u003eArt Basel, Switzerland. Represented by La Lanta Fine Art.\u003c\/p\u003e\n\u003cp\u003eArt Basel, Miami, Florida. Represented by La Lanta Fine Art.\u003c\/p\u003e\n\u003cp\u003eAsia Contemporary Art Show, Hong Kong\u003c\/p\u003e\n\u003cp\u003eSFA Projects at Volta Basel, Switzerland\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e2019 - \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eVOLTA Art Fair, Basel represented by SFA Projects\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“Venice Biennale”, Ravagnan Gallery, Venice, Italy\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eSolo exhibition, “The Blooming a New Sense (Self)”, SFA Projects, Studio 710, New York City, USA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eInner Fascination, Raghavan Gallery, Venice, Italy\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMLA Gallery, Spring and Fall Brewery Artwalk, Los Angeles, CA.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e2020 - \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eMLA Gallery, Spring and Fall Brewery Artwalk, Los Angeles, CA.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e2021 - \u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"x193iq5w\"\u003e\u003cspan\u003eInternational Sumuk Biennale 2021, Mokpo, Korea \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"x193iq5w\"\u003e\u003cspan\u003eSolo exhibition, Leonhard’s Gallery, Antwerp, Belgium\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan class=\"x193iq5w\"\u003e\u003cspan\u003eRaghavan Gallery, St. Marks Square, Venice, Italy\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003e2022\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e – Attasit Pokpong – New Paintings, Leonhard’s Gallery\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eTime flies - Il Teatro de Mostra, Lake Como, Italy\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eMLA Gallery, Spring and Fall Brewery Artwalk, Los Angeles, CA.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e2023 - \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eSolo exhibition, The Presence, Museum of Cultures, Lugano, Switzerland\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Presence, MUDEC - Museo Della Culture, Milan, Italy\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003e2024\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e - \u003c\/span\u003e\u003cspan\u003eFlowering Branch, Ravagnan Gallery, Venice, Italy, MLA Gallery, Spring and Fall Brewery Artwalk, Los Angeles, CA, Sol Gallery, Fitzroy Australia, Leonhards Gallery, Antwerp, Belgium\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan\u003e2025\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e- \u003c\/span\u003e\u003cspan\u003eMLA Gallery, Spring Brewery Artwalk, Los Angeles, CA, Sol Gallery, Fitzroy Australia\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAwards\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e1995\u003c\/b\u003e - 2nd runner-up in 47th Annual Student Art and Handicraft Contest held in Sukhothai.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e1996 \u003c\/b\u003e- 1st runner-up in 48th Annual Student Art and Handicraft Contest, watercolour and portraiture categories, held in Lampang.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e1996-97\u003c\/b\u003e – award for excellence in watercolour painting, Phochang  Faculty Anniversary Art Exhibition.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e1997, 1998, 2001, 2002 and 2003\u003c\/b\u003e – Award for Excellence in Chonburi Art Contest entitled “Beautiful Seascapes and Landscapes”.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDecember 1998\u003c\/b\u003e – awarded 3rd prize in the Thai Ministry of the Interior Community Art Competition.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMarch 1999\u003c\/b\u003e – awarded first prize in the Royal Thai Social Development Art Exhibition.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eApril 1999\u003c\/b\u003e – awarded first prize in the Lottery Art Award contest, held for the first time on the occasion of the 60th Anniversary of the Thai State Lottery.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e2004 \u003c\/b\u003e– Award for Excellence in the Bangken University Art Competition entitled “Thai Orchids”.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAbout the Artist\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e Since launching his professional career as a painter, Mr Attasit Pokpong has won a series of awards and prizes in art competitions in Thailand and, at a young age, he is already a recognised master of watercolour, acrylics and oils.  His earlier watercolours portray the hustle and bustle of city life with its interminable Thai traffic jams in delicately luminous colour combinations that imbue the scenes with a curiously refreshing sense of tranquillity.  The large oil and acrylic canvases Attasit is currently producing reflect the pale palette and relaxed brushwork of his watercolours, portraying girls in their natural beauty, unaffected and real.  His girls are at once clearly oriental in their features but universal in their unassuming beauty, appealing to viewers of every race and culture. \u003cbr\u003eThai Fine Art Ltd is pleased to introduce Attasit to the British and European public alongside our established artists, including our featured artist, Mr Kitti Narod, with whom Attasit regularly exhibits in Bangkok, where both painters have made their home and established themselves firmly on the local art scene.   \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"MLA Gallery","offers":[{"title":"Default Title","offer_id":32227809820774,"sku":"7308","price":9900.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0087\/6192\/products\/IMG_2798.jpg?v=1607075087"},{"product_id":"amok-stunning-beauties","title":"Amok - Stunning beauties","description":"\u003cdiv style=\"margin-left: 52px; margin-right: 52px; text-align: justify;\"\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e160cm. x 150cm. - 65\" x 60\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e2017 - acrylic on canvas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAmok is a very talented Thai artist, working within the Attasit Pokpong school of Pop art, with it's influences in Chinese art. This is a very popular movement in Thailand at this time. He is amongst the most talented, putting him up there on the level of Jo Chanchai, as rivals to the Pokpong throne. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe work is priced at less than a fifth of a comparable Pokpong painting, and the work is stunning. The images barely capture the magic of the work, and for that reason we offer an unconditional money back guarantee on the work. None have been returned to date, but if it gives you the peace of mind, to make a decision to purchase a painting online, it is worth it for all involved. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eWe also offer free worldwide express shipping.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n \u003c\/div\u003e","brand":"MLA Gallery","offers":[{"title":"Stunning beauties","offer_id":32248202362982,"sku":"9003","price":3600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0087\/6192\/products\/IMG_2119.jpg?v=1608547234"},{"product_id":"lek-sarasat-tribal-exotica-i","title":"Lek Sarasat - Tribal exotica I","description":"\u003cdiv style=\"margin-left: 52px; margin-right: 52px; text-align: justify;\"\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e120cm. x 100cm. - 48\" x 40\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e2020 - acrylic on canvas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLek Sarasat is a very talented Thai artist. She is amongst the most talented, putting her up there on the level of Jo Chanchai, as rivals to the Pokpong throne. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe work is priced at less than a fifth of a comparable Pokpong painting, and the work is stunning. The images barely capture the magic of the work, and for that reason we offer an unconditional money back guarantee on the work. None have been returned to date, but if it gives you the peace of mind, to make a decision to purchase a painting online, it is worth it for all involved.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eWe also offer free worldwide express shipping.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n \u003c\/div\u003e","brand":"MLA Gallery","offers":[{"title":"Tribal exotica I","offer_id":32263306543206,"sku":"9020","price":2400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0087\/6192\/products\/WhatsAppImage2020-12-20at7.32.17PM_2.jpg?v=1609994283"},{"product_id":"los-chicos-de-maiz","title":"Victor Huerta Batista - Los chicos de maiz","description":"\u003cdiv style=\"margin-left: 52px; margin-right: 52px; text-align: justify;\"\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDescription - \u003cmeta charset=\"UTF-8\"\u003e\u003cb data-mce-fragment=\"1\"\u003eh:\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e 46\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e x w: 48 in - 115 x 120cm.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e2003 - oil on canvas\u003c\/p\u003e\n\u003cp\u003ePermanent collections:\u003cbr\u003eUniversity of Arizona Museum of Art, Tucson, Arizona, Tucson Museum of Art, Tucson, Arizona\u003cbr\u003eEstremadura Museum of Art, Estremadura, Spain\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eExtracted from an article in Tucson Weekly, on August 23, 2007, written by Margaret Regan:\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIn \"Caerse de Habana\" (The Fall of Havana), 2002, three old men are struggling to hold up a figure above their bald heads. They're decrepit caryatids long past their prime, but then so is the strongman they're trying to support. He's a fake, his body made of wood, pegged together at the joints, and he's collapsing. But Huerta's vision is too wild, too erotic--and too much fun--to be reined in by a single interpretation tied to contemporary politics. Elephant-headed old folks dance on a gargantuan pink birthday cake in \"Feliz Cumpleaños\" (Happy Birthday), 2003, just beyond a giant snake slithering in the hay around it. Above, the heads of four angry gods blow the small brushfire atop the cake into a conflagration. In other works, a tiny family sits on the precipice of a stove, just past a pot of boiling ship. A sexy woman with a cat's head writhes all naked on the shoulders of a man with a dog's head. Workmen on scaffolding lazily touch up the paint job on the face of a giant man.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eHuerta practices what the Cubans call \"lo real maravilloso\" (the marvelous real), a counterpart to the magical realism in Latin-American literature. He counterbalances the realistic and the fantastic, placing recognizable figures, landscapes and buildings in impossible settings. He plays with imbalances of scale--see that mini-family on the stovetop--and \"irrational space,\" juxtaposing sailing teacups with sailing ships.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eBeautifully rendered in acrylics on canvas, his paintings are meant to look like oils, says Lisa Fischman, University Of Arizona Museum of Art curator. Even to the point that he's faked the sheen of oil glaze on top. He paints in a limited Old World palette, in browns, golds, yellows and ambers, with jolts of pale blue or red here and there. Some passages are thinly stained with color, while others have deft layerings of thick paint. Occasionally, Huerta allows paint to drip vertically all across the canvas, like rain, or tears.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eThe landscape of Cuba, often a backdrop to the fantastic goings-on, emerges in soft, blurry rows of palm trees and glints of light on rooftops. The sea greens of the Straits of Florida shimmer, and sunset skies turn chalky yellow.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eme of Huerta's wildness. His crazy machines have their roots in Leonardo da Vinci's drawings of flying contraptions, moving dykes, pulleys and cranks. Huerta's fantastic creatures, half-human, half-animal, and his apocalyptic visions owe a debt to Hieronymus Bosch. And his imagination, Fischman says, follows the free flights of Francisco Goya.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eWhich is how Huerta's works came to be displayed at the UAMA. Fischman and assistant curator Susannah Maurer were looking for a contemporary artist to pair with the second installment of the museum's four-part Goya etchings series. Last spring, works by Tucson rodeo photographer Louise Serpa went up next door to Goya's La Tauromaquia suite of bullfighting prints. This second Goya show, now on view, exhibits 24 etchings from Los Disparates, which the museum translates as \"mad and absurd ideas\", along with 20 paintings by Victor Huerta Batista. Filled with grotesque monsters, dreamlike phantoms and humans with bats' wings, the nightmare Disparates images are bathed in darkness. Goya worked on these pictures at the end of his life, and scholars have debated whether they represent his fears of death, or his horror at the catastrophic wars of his lifetime, or something else altogether. In any case, the curators thought, rightly, that Huerta's unruly work was a good match. They found his work via the MLA Gallery in Los Angeles, which handles his work and acted as intermediary. Huerta has had some success in Cuba, but this is the first time his extravagant visions have won a museum show in the United States.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\"His imagination is unloosed,\" Fischman says. \"He's an artist willing to see where that goes. That's a precedent that Goya set.\"\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eCorrespondence: In Relation to Goya paintings by Victor Huerta Batista\u003cbr\u003eGoya's Mastery in Prints: Los Disparates\u003cbr\u003eUniversity of Arizona Museum of Art, through Sept. 30th, 2007\u003cbr\u003eExcerpts, and paintings on loan courtesy of MLA Gallery\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFor more info call us at (323) 792-3779, or to see a greater selection of the gallery work, please visit our Artnet site at:\u003c\/p\u003e\n\u003cdiv\u003ehttp:\/\/www.artnet.com\/artists\/victor-huerta-batista\/\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"MLA","offers":[{"title":"Los chicos de maiz","offer_id":32266341974118,"sku":"9130","price":4500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0087\/6192\/products\/IMG_2330.jpg?v=1610170774"},{"product_id":"raul-anguiano-pastel-muchacha-en-azul","title":"Raul Anguiano pastel \"Muchacha en azul\"","description":"\u003cdiv style=\"margin-left: 52px; margin-right: 52px; text-align: justify;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eThis outstanding pastel, was done by the late Mexican Master Raul Anguiano, and is signed and dated 1984. It is in excellent condition, and is unframed. It measures 26\" x 21\" (66cm. x 52cm.) \u003c\/span\u003e \u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIn 1937 Anguiano joined the Revolutionary Writers and Artists League. Together, with Alfredo Zalce and Pablo O'Higgins, he was also a founding member of thePopular Graphics Workshop, where artist practised a graphic style based on Mexico's folk traditions. This was due to the powerful influence of the recently discovered Jose Guadalupe Posada and Goya.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eRaúl Anguiano belongs to the so-called \"Third Generation\" of post-revolutionary painters, along with Juan O'Gorman, Jorge González Camarena, José Chávez Morado, Alfredo Zalce, Jesús Guerrero Galván and Julio Castellanos, all known for being unorthodox, associated in politics and in art, while at the same time, holding to certain traditional canons. Anguiano's work is viewed as an expression of its time because of its undeniably Mexican flavour, and the link to his people is clear, not only in his murals but also on canvas, etchings, pencil and ink drawings, lithographs and illustrations, and also more recently in sculpture and ceramics. Without compromising his personality or ethnic roots, and at the same time not allowing them to limit him, Anguiano has vindicated and taken advantage of the principles of modern art, giving him a universal and transcending character of his boundary work.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eAnguiano held his first solo exhibition, entitled \"Raúl Anguiano and Máximo Pacheco\" at the Palace of Fine Arts in Mexico City, in 1935; and in 1940 he took part in his first collective exhibition \"Twenty Centuries of Mexican Art\". These were followed by more than 100 shows in many countries as Cuba, Chile, Colombia, Brazil, United States, France, Italy, the former Soviet Union, Israel, Germany and Japan. His most recent exhibitions include the presentation of a series of four colour lithographs, held at the Hall of Graphic Arts SAGA 88, from 1989 to 1990, in Paris; and the retrospective look at Anguiano's work in graphics (1938-1940), held at the National Print Museum in Mexico City in 1990.\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMLA Gallery guarantees the authenticity of all of the Latin Master prints with an unconditional guarantee of authenticity, on the gallery letterhead. In addition, we offer a lifetime trade in policy, for the full purchase price. Please inquire about details.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDuring the 1980s, many artists living in Mexico began to seek new alternatives to the forms of expression that had dominated Mexican art of the 1960s and 1970s, especially international trends such as abstraction. A number of painters sought to evoke dream-like fantasy in their art, creating vibrant and symbolic images which often integrated traditional elements of Mexican iconography.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePrincipal among these artists was a re-interpretation of Mexican identity, as well as the intense inward scrutiny of the artists’ individuality. Issues of gender –i.e., feminism and personal solutions to the socio-political role of the artists in a developing nation, were manifested in much of the work during this intense period.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eToday, thanks to dynamic artists, galleries and patrons and the globalization of the world art scene, contemporary Mexican art is reaching galleries the world over. Mexico City has become an international art hot spot, while other cities such as Monterrey, Oaxaca, Mazatlán and Guadalajara also have thriving art scenes. Mexican artists attempt to interpret the uncertainties of the 21st century in diverse ways. The pendulum has swung away from abstraction to hyper-representation, photorealism, installations, video and street art.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSome describe the scene in Mexico City in terms of a boom or an explosion. But the truth is that art has thrived there for a century — from the great muralists like\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/artist.christies.com\/Diego-Rivera--41623.aspx\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/artist.christies.com\/Diego-Rivera--41623.aspx\"\u003eDiego Rivera\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e in the 1920s; via the abstract painters of the Ruptura movement in the 1950s; and the conceptually-inclined ‘Friday Workshop’ artists in the 1990s; through to today.\u003c\/span\u003e What has changed in the past two decades is the artistic infrastructure. A rich gallery sector and fairs such as Zona Maco have emerged, thanks to a fast-growing collector base.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePolitical stability and economic prosperity are key factors here. The capital has been immune to the drug-related violence that afflicts much of the rest of Mexico. Incomes have also risen steadily since the country signed NAFTA (the North American Free Trade Agreement) with Canada and the US in 1994. Economists predict Mexico will have the world’s fifth-biggest economy by 2050.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOne of Mexico City’s strengths is that the rules of the art game are less fixed here than they are in more established art centers. The focus in this city, for a long time, used to be on traditional work in traditional places… Awareness of contemporary art has developed [only relatively recently — which] has allowed more room for experimentation, the unstructured and the unexpected, combined with the international connectivity brought by the internet, which has let Mexicans plug into art-world trends and discourse like never before.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNo discussion of culture in Mexico City is complete without mention of its museums: there are more than 150 in total, surpassing every city on Earth, bar London.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.mna.inah.gob.mx\/\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.mna.inah.gob.mx\/\"\u003eThe National Museum of Anthropology\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/a\u003eis a must for any visitor, though the biggest change on the landscape has been the recent building of new art museums. The standouts from the past dozen years include the\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.museosoumaya.org\/\" data-mce-fragment=\"1\" data-mce-href=\"http:\/\/www.museosoumaya.org\/\"\u003eSoumaya Museum\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(showing the collection of Mexican telecoms magnate Carlos Slim); the\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.fundacionjumex.org\/en\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.fundacionjumex.org\/en\"\u003eJumex Museum\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(housing the art of businessman Eugenio López Alonso); and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/muac.unam.mx\/?lang=en\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/muac.unam.mx\/?lang=en\"\u003eMuseo Universitario Arte Contemporaneo\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/a\u003e(MUAC), with its collection of mainly Mexican art from 1952 onwards.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e‘Mexico is a large, highly centralised nation — and the capital is its stage,’ says Minerva Cuevas, an artist born and bred in Mexico City. ‘People from the rest of the country flock here for work, so public space is constantly being negotiated’.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt is also a young city: the average age of its citizens is 26, meaning there should be no lack of creative energy to maintain a thriving cultural scene. ‘That’s absolutely crucial,’ says Gabriela Lobo, Managing Director of Christie’s Mexico. ‘The scene here is vibrant and youthful, with lots of artists, buyers and sellers all still in their twenties. As impressive as things are currently, in many ways it’s just planting the seed for an even more impressive future.’\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"MLA Gallery","offers":[{"title":"Muchacha en azul","offer_id":39262462672998,"sku":"9530","price":3900.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0087\/6192\/products\/26x205_8.jpg?v=1615459092"},{"product_id":"armadura","title":"Raul Enmanuel - Armadura","description":"\u003cdiv style=\"margin-left: 52px; margin-right: 52px; text-align: justify;\"\u003e\n\u003cbr\u003e\n\u003cp\u003edone in 2007\u003c\/p\u003e\n\u003cp\u003emedium-  a\u003cspan\u003ecrylic, charcoal, and material (wood particles, and moulding paste) on canvas.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003esize - 60\" x 40\"\u003c\/p\u003e\n\u003cp\u003edescription\u003c\/p\u003e\n\u003cdiv\u003eThis painting is a striking example of Enmanuel’s growing mastery of the canvas medium. His command of texture, composition, symbology, and technique continues to strengthen, and this latest work clearly reflects that evolution. While the imagery leans toward abstraction, Enmanuel has indicated that these paintings represent feminine, divine beings—benevolent, protective, and supportive in nature. The result is a powerful visual presence, where symbolic forms merge seamlessly with the abstract, tropical landscape aesthetic for which he has become increasingly recognized. \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eEnmanuel has transformed these historical touchstones into a wholly original iconography—one that reflects a profound reverence for nature and carries a depth and intensity rarely encountered in contemporary painting. The tropical, atmospheric qualities for which he has become known are seamlessly integrated, creating a work that is both intellectually grounded and visually commanding.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eAt MLA, we focus on artists whose work demonstrates both conceptual rigor and exceptional technical mastery. Enmanuel embodies this rare convergence.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThis painting is part of his most recent series, with a limited number of related works available. Private inquiries are welcomed.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eEnmanuel's work was prominently featured in the 4th season of the Fox Television's show \"Prison Break\". It was used to decorate the loft space in the show, and his work can be seen in a number of episodes.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe origins of his iconography are in the early work of Wifredo Lam. One can see elements that are a reminder of this great artist's work. Though Enmanuel has used these elements as a point of inspiration, he has succeeded in making the work entirely his own. He has focused on Lam's early jungle work as a jumping off point, to create a body of symbols, and a language that depicts a reverence for Mother Nature, and his work has a power and intensity that is rarely found in contemporary art. We at MLA search for contemporary artists that have both conceptual genius, and technical mastery. A combination of qualities rarely found today, but present in abundance in the work of this brilliant artist. Enmanuel was selected to create two huge murals in Cuba. One is a 40 ft. mural at the Railway Station in Santiago, and the other is a 30 ft. mural in the lobby of the Melia Cohiba, which is the top hotel in Eastern Cuba. These are both extremely prestigious projects, and have placed this great artist in an important historical context. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWe have been in business for 25 years, and enjoy a very good feedback rating. We believe in, and offer outstanding customer service. We offer a life-time trade in policy. Please inquire. We enjoy a very good feedback rating. Check out MLA Gallery, Los Angeles on Google or on Facebook, at \u003ca href=\"https:\/\/www.facebook.com\/mlagallery\/\"\u003ehttps:\/\/www.facebook.com\/mlagallery\/\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eMLA Gallery has many other paintings by Enmanuel, as well as a large selection of paintings, graphics, sculptures, and drawings by established Latin artists, and Latin Masters. Please inquire for many others.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSome biographical info on Enmanuel is as follows:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRAUL ENMANUEL POZO - BIOGRAPHY\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBorn in San Luis, Santiago, Cuba, 1958\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eStudies\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1980-1985 Higher Institute of Art “CUBANACAN”, Havana, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1976-1980 National School of Art “CUBANACAN”, Havana, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1973- 1976   School for Plastic Arts Jose Joaquin Tejada, Santiago de Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSolo Exhibitions\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2004 – La locomotora de mi papa, Canvas Gallery, San Juan, Puerto Rico\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2002 – Buscando Caminos, Galeria Juan Marinillo, Institute for the Friendship\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e            with People, Havana, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2000 – Mi Tiempo Vegetal, Casa de Teatro, Santo Domingo, Dominican Republic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1999 – Mi Tiempo Vegetal, Casa de Arte, Santiago de los Caballeros, Dominican\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e            Republic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1999 – Acrilicos sobre Telas, Galeria Oriente, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1994 – Galeria Coral, Santa Fe de Bogota, Colombia\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1993 – Tropico, Center of Applied Studies, Santo Domingo, Dominican Republic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1991 – Amuletos Recuerdo de mis abuelos, Galeria Oriente, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1989 - Dibujos sobre Cartulinas, Galeria Cine Cuba, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1988 – Dibujos sobre Cartulinas, Festival of Cuban Culture, Burdeo, France\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1987 – 2nd annual Festival of Cuban Culture, Havana, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1987 – Apuntes para un Proyecto, Galeria de Arte Universal, Manzanillo, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1986 – De lo Nuestro La Vegetacion, Galeria de Arte Universal, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1985 – Muntu, Galeria Galeano, Havana, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCollective Exhibitions\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eParticipated in over 50 group shows in Cuba, the Dominican Republic, Colombia,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePortugal, France, and the United States.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2008 – The Americas Collection – Coral Gables, Florida\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2008 – Featured artist - Spring Brewery Artwalk, MLA Gallery, Los Angeles, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2008 – Spring Brewery Artwalk, LS Contemporary, Los Angeles, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2007 – Fall Brewery Artwalk, MLA Gallery, Los Angeles, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2007 – Outstanding new contemporary artists, LS Contemporary, Los Angeles, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2007 – Elements of Abstraction, Gallery on State, Santa Barbara, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2006 – Brewery Artwalk, MLA Gallery, Los Angeles, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2005 – Crosscurrents, Soho Gallery, Studio City, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2005 – Contemporary Visions, Audis Husar Fine Art, Beverly Hills, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2005 – Brewery Artwalk, MLA Gallery, Los Angeles, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2004 – Tropical Profundo, MLA Gallery, Los Angeles, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2004 – Brewery Artwalk, MLA Gallery, Los Angeles, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2003 - Brewery Artwalk, MLA Gallery, Los Angeles, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2003 - Cuban Artists, Gallery Nader, Santo Domingo, Dominican Republic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2002 – Brewery Artwalk, MLA Gallery, Los Angeles, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2002 – Cuban Painters, Naipe Museum, Havana, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2001 – Cuban Artists, Gallery Nader, Santo Domingo, Dominican Republic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e2000 – Four Abstract Painters, Galeria San Ignacio, Havana, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2000 - Participant in the 7th Havana Biennial\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1999 - End of the Century Hall, Emilio Bacardi Museum, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1999 - Serigraphy Workshop, Taller Rene Portocarrero, Havana, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1999 - Cuban Painters, Museum of the Americas, San Juan, Puerto Rico\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1998 - Galeria de Arte Universal, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1998 - Galeria Oriente, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1997 - Salon de 30 de Noviembre, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1996 - The Gallery of the Hotel Melia Cohiba, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1995 - House of Culture Gallery, Lisbon, Portugal\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1994 - Art Center Gallery, Nelva, Colombia\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1994 – Five Cuban Painters, Viva del Arte Galeria, Bogota, Colombia\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1993 - Four Cuban Painters, Art Gallery of the Dominican Institute of Applied\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e            Studies ( IDEA), Santo Domingo, D.R.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1990 – Contemporary Painting, Center for Dominican Architecture, Santo                                  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e            Domingo, Dominican Republic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1988 – Cuban Painters, Centro de Arte 501, San Francisco\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1988 - Cultural Assets Hall Fund, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1987 - Salon 30 de Noviembre, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1987 - Galeria de Arte Universal, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1986 - Seven Cuban Painters, Gallery of the House of Culture, Havana, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1986 - Participant in the 2nd Havana Biennial\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1985 - Students Hall of the Hermanos Sainz Brigade, Galerie Oriente, Santiago,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e            Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1984 – Students Hall, Higher Institute of Art, Cubanacan, Havana, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1984 - Participant in the 1st Havana Biennial – A Tribute to the Triumph of the\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e            Cuban Revolution, Lobby of the Carl Marx Theatre, Havana, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMurals\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRestaurant of Melia Cohiba Hotel, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRailway Terminal, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eExecutive Airport, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAwards\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1999 - National Prize of Serigraphy, Workshop “Rene Portocarrero”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1998 - Cuban Cultural Assets Fund, 1st prize for painting\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1998 - Salon Fin de Siglo, National Union of Cuban Writers and Artists (UNEAC)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1997 - Honorable mention – Emilio Bacardi Museum, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1997 - First Prize, Acquisition for Permanent Collection, Emilio Bacardi Museum,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e            Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1989 - National Award for the Painting on Canvas, TELARTE Vll, Cultural assets\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e            of Cuba Fund\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1987 - Honorable mention, Painting, City Hall, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1986 – 1st Prize for the Carnival Poster, San Luis, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1985 - Honorable mention, Students Hall of the Hermanos Sainz Brigade,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e           Galeria Oriente, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1984 – 1st Prize for the Carnival Poster, San Luis, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDistinctions\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1998 - Shield of Villa de San Luis de las Enramadas, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1997 – Official Key of the Cultural Assets of Cuba Fund, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e            Member of UNEAC (National Union of Cuban Writers and Artists)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e            Member of the International Association of Plastic Artists\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCollections\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHis works can be found in many permanent and private collections.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEmilio Bacardi Museum, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMuseo Polivalente, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCenter of Art Ceballo Estrella, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMLA Gallery Collection, Los Angeles, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBanco de Reservas, Santo Domingo, D.R.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn addition to many private collections throughout Cuba, the Dominican Republic,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eColombia, Mexico, Jamaica Spain, Germany, France, Italy, Portugal, and the \u003c\/span\u003e\u003cspan\u003eUnited States.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFor more info call us at (323) 792-3779, or to see a greater selection of the gallery work, please visit our Artnet site at:\u003c\/p\u003e\n\u003cdiv\u003e\u003ca href=\"http:\/\/www.artnet.com\/galleries\/mla-gallery\/\" target=\"_blank\"\u003ehttp:\/\/www.artnet.com\/galleries\/mla-gallery\/\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n \u003c\/div\u003e","brand":"MLA Gallery","offers":[{"title":"Armadura","offer_id":39273184985190,"sku":"9762","price":5500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0087\/6192\/products\/IMG_2108.jpg?v=1616423421"},{"product_id":"jo-chanchai-women-of-the-city","title":"Jo Chanchai - Women of the City II","description":"\u003cdiv style=\"margin-left: 52px; margin-right: 52px; text-align: justify;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"margin-left: 52px; margin-right: 52px; text-align: justify;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"margin-left: 52px; margin-right: 52px; text-align: justify;\"\u003e\n\u003cp\u003eAttasit Pokpong has established an very successful genre of Chinese Pop, in Thailand. His fame and fortune has encouraged an entire school, which explores themes of Chinese Pop, in a distinctly Thai manner. Since Pokpong has long ago stopped doing his street scenes, and his very popular portraits, and recently evolved his portraits into a muddier, more diffused and conceptual style, \u003cspan style=\"text-decoration: underline;\"\u003ethat is not as popular with the collectors of this gallery\u003c\/span\u003e, we have gone in search of other artists, emulating this style.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eJo Chanchai is the most talented of the group, that we have been able to find. His attention to detail, and the amount of time he spends on each painting, were not qualities Pokpong put into his work. \u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eThis painting measures 170 x 130cm (68 x 52in). It is oil on canvas. The image barely does justice to the work. Done in 2019.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThese paintings are far more beautiful in person, than they are in the images. The photos barely capture the subtle beauty of the work, and the mastery of the technique. We offer a money back guarantee on these lovely paintings, however to date, not a single one has been returned.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eChanchai is not an art star, like Pokpong, but he is very well regarded for his technical mastery. These paintings are priced at a third the price of a comparable work by Pokpong. We still have a few works remaining by Pokpong. If interested please inquire, and we will send you images and details.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eFor more info call us at (323) 792-3779, or email us at mlagallery1@gmail.com, or check out our recently updated Artnet site at:\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.artnet.com\/galleries\/mla-gallery\/\" target=\"_blank\"\u003ehttp:\/\/www.artnet.com\/galleries\/mla-gallery\/\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"MLA Gallery","offers":[{"title":"Women of the City II","offer_id":39280861053030,"sku":null,"price":3800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0087\/6192\/products\/IMG_9713.jpg?v=1616908508"},{"product_id":"david-ryan-lopez-lift-off","title":"David Ryan Lopez - Lift Off","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e39 x 25in (99 x  x 62cm) - oil on canvas - done in 2008\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePour and flow paintings evolved over many years from florals to landscape to more abstract expression. Lopez was moved by the impressions he created but stymied by the limitations of the canvas' flat surface. He discovered a new way of working with the pour and flow technique while on a trip to Santa Fe, N.M., where he happened upon the work of an artist who taught him to manipulate the canvas in unexpected ways. He spent the next few months learning the method of lifting, folding and waving the canvas, applying layer upon layer of color, to perfect his visions with dizzying results. Pour and flow is a method of painting in which paint is poured onto the canvas and gravity helps create images without the use of a single paintbrush.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHis present pour and flow work was influenced by Paul Jenkins, a master pour and flow painter living in Paris, France. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRyan says \"I choose the title of each piece at the end of creation or the name unfolds during the process of creation. Generally, I choose not to title what I see in my own mind. I prefer to choose an adjective or verb which exemplifies the energy of the piece. That way I do not identify the piece as I see it but rather leave it up to the observer to make that decision. I have always liked the look of watercolor and now I have been able to create that look on canvas. In 2008 I moved to South East Asia to pursue more (oriental design) in creation. Pieces like Butterfly and Oriental Garden were the beginnings of experimental paintings of an oriental theme\".\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHowever my love of nature and art, began and evolved from the beauty of the Mexico and South West deserts of America. \"My work tends to mimic nature,\" he said. Jenkin's\u003cspan data-mce-fragment=\"1\"\u003e work is more abstract than mine, and I enjoy mimicking nature. \u003c\/span\u003eLopez rediscovered his passion for creating when he began experimenting with the pour and flow technique in the late 1990’s.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWorking without thinking, in something of a trance-like state of being completely \"present\" in the moment, Lopez has created a body of work filled with ethereal images that, with few exceptions, seem to depict some of nature's most breathtaking scenes. With paintings bearing titles such as \"Windstorm,\" \"Slickrock\" and \"Fire and Ice,\" Lopez occasionally begins with an idea of what he wants to create. The unpredictable nature of paint pulled by gravity, however, often results in an entirely unexpected image. It is not uncommon for a single painting to be finished only after more than 20 layers of paint have been applied. With a drying period between applications, the pieces often take days from start to finish. \"The canvas speaks back to me when I'm working,\" Lopez said. \"The images depend on tood. The process of creating is where the passion is.\" This is for all the marbles; this time it's for passion,\" Lopez said. \"I want to release myself from this tension and go into the freedom of pure creativity. I don't want to wait. I want to do it while I'm young.\"\u003c\/p\u003e","brand":"MLA Gallery","offers":[{"title":"Default Title","offer_id":39284294287462,"sku":"9853","price":2900.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0087\/6192\/products\/Lift_Off39.5x25.5wide.jpg?v=1768563460"},{"product_id":"sampansak-porsakun-markets-of-the-orient-i","title":"Sampansak Porsakun - Markets of the Orient I","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e100 x 75cm (39.6 x 30in) - oil on canvas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in 1981, he graduated from Rajamangala University of Technology in Thanyaburi. His works were chosen as a souvenir for the visiting delegation of the ASEAN Summit in 2011. This artist is well established in Central Thailand. His work is absolutely stunning. \u003c\/p\u003e\n\u003cp\u003e \u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2013 Artist of the Year, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eFine Art Magazine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThese paintings are far more beautiful in person, than they are in the images. The photos just cannot capture the subtle beauty of the work, nor the subtlety of the technique. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSampansak's work is levels above the vast majority of Thai artists. In a land where good technigue is common, but conceptual genius is rare, this artist stands out. His work brings a very distinctive touch to this genre, and the result is warm, compelling, stunning, and quite original. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSince purchasing work from a photo can be tricky, we offer a money back guarantee of satisfaction, on these lovely paintings.\u003c\/span\u003e\u003c\/p\u003e","brand":"MLA Gallery","offers":[{"title":"Default Title","offer_id":39284659650662,"sku":"9860","price":1900.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0087\/6192\/products\/Sampansak-AsianMarketsI-100cm.x80cm-medres.jpg?v=1768563415"},{"product_id":"jose-bedia-piango-piango","title":"Jose Bedia - Piango Piango","description":"\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis is a lovely water color, by this Cuban Master. It was done on a heavy paper, and is in immaculate condition. Signed and dated 2019.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e23 × 19 in (57.5 × 47.5 cm) done in 2019. Free shipping within the US. $100 for worldwide express shipping.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFredric Snitzer Gallery is now representing Bedia. They are a very influential gallery, and their promotion of his work is likely to result in a very significant increase in pricing over the next 5 years or so, as they will be doing a great job promoting his work, and getting him into very important art fairs and museums.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFew Cuban artists have developed a body of work as coherent and original as that of José Bedia. Although he is one of the most outstanding examples in the history of art in Cuba and Latin America, and he has also received international acknowledgement, his true importance has not yet been fully recognized. In his paintings, drawings and installations, José Bedia has not only used a hive of cultural references from Cuba, but also from Latin America, the Caribbean and Africa, focusing on those that western civilization, with its technological vanity and false idea of progress, has considered underdeveloped, backward or pre-modern.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAccording to Bedia, his work is an attempt to rescue, through the discursive strategies of contemporary art, the dispersed fragments of that old wisdom which, to a greater or lesser extent, all those societies have in common, and which are of great importance to complete the deficits of our unbalanced contemporaneity. Bedia's creative method, seemingly spontaneous, intuitive and at times naive, is not only the product of previous rigorous study, but of the assimilation of formal, material, aesthetic, symbolic and historical elements from those cultures that have inspired him and that he reflects either in a simple drawing or painting or in one of his monumental installations. The often simple and schematic appearance of his works and the generally austere and synthetic character of his discourse follows the principle of doing more with less, concealing a conceptual and philosophical depth and an abundance of uncommon information, the result not so much of bookish study as of his contact and direct identification with the systems of knowledge of those cultural groups that some call native, aboriginal or traditional.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBedia's work is featured in many museum collections worldwide. Just a few are as follows:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWhitney Museum of American Art, New York, NY\u003c\/p\u003e\n\u003cp\u003eGuggenheim Museum, New York, NY\u003c\/p\u003e\n\u003cp\u003eMetropolitan Museum of Art, New York, NY\u003c\/p\u003e\n\u003cp\u003eMuseum of Modern Art, New York, NY\u003c\/p\u003e\n\u003cp\u003eLoeb Art Center, Vassar College, Poughkeepsie, NY\u003c\/p\u003e\n\u003cp\u003eArkansas Arts Center, Little Rock, AR\u003c\/p\u003e\n\u003cp\u003eBirmingham Museum of Art, Birmingham, AL\u003c\/p\u003e\n\u003cp\u003eContemporary Art Museum, San Diego, CA\u003c\/p\u003e\n\u003cp\u003eMOCA, Long Beach, CA\u003c\/p\u003e\n\u003cp\u003eCantor Arts Center, Stanford University, CA\u003c\/p\u003e\n\u003cp\u003eHonolulu Museum of Art, Honolulu, HA\u003c\/p\u003e\n\u003cp\u003ePerseus Collection, Honolulu, HI\u003c\/p\u003e\n\u003cp\u003eFogg Art Museum, Harvard University, Cambridge, MA\u003c\/p\u003e\n\u003cp\u003eFort Lauderdale Museum of Art, Fort Lauderdale, FL\u003c\/p\u003e\n\u003cp\u003eHirshhorn Museum and Sculpture Garden, Washington, DC\u003c\/p\u003e\n\u003cp\u003eSmithsonian Museum, Washington, DC\u003c\/p\u003e\n\u003cp\u003eSpencer Museum, Lawrence, KS\u003c\/p\u003e\n\u003cp\u003eMcCormick Place Art Collection, Chicago, IL\u003c\/p\u003e\n\u003cp\u003eMiami Art Museum, Miami, FL\u003c\/p\u003e\n\u003cp\u003eMOCA, Miami, Florida\u003c\/p\u003e\n\u003cp\u003ePAMM, Miami, Florida\u003c\/p\u003e\n\u003cp\u003eKendall Art Center, Miami, Florida\u003c\/p\u003e\n\u003cp\u003eNSU Art Center, Ft. Lauderdale, Florida\u003c\/p\u003e\n\u003cp\u003eNorton Museum of Art, West Palm Beach, FL\u003c\/p\u003e\n\u003cp\u003ePolk Museum of Art, Ft. Lauderdale, FL\u003c\/p\u003e\n\u003cp\u003eBacardi Art Foundation, Miami, FL\u003c\/p\u003e\n\u003cp\u003ePhiladelphia Museum of Art, Philadelphia, PA\u003c\/p\u003e\n\u003cp\u003ePhoenix Art Museum, Phoenix, AZ\u003c\/p\u003e\n\u003cp\u003eMuseum of Art, Rhode Island School of Design, Providence, RI\u003c\/p\u003e\n\u003cp\u003eWalter Phillips Gallery, Bath, CanadaLudwig Collection, Aachen, Germany\u003c\/p\u003e\n\u003cp\u003ePori Taidmuseum, Finland\u003c\/p\u003e\n\u003cp\u003eTate Museum, London, UK\u003c\/p\u003e\n\u003cp\u003eThe Collection Daros, Zurich, Switzerland\u003c\/p\u003e\n\u003cp\u003eMuseo de Arte Contemporáneo, Monterrey , Mexico\u003c\/p\u003e\n\u003cp\u003eLiceo Minvielle, Lagos, Mexico\u003c\/p\u003e\n\u003cp\u003eCentro Cultural\/Arte Contemporáneo, Mexico City, Mexico\u003c\/p\u003e\n\u003cp\u003eExtremadura and Ibero-American Museum of Contemporary Art of Badajoz, Spain\u003c\/p\u003e\n\u003cp\u003eMEIAC, DA2, IVAM, CAAM, Spain\u003c\/p\u003e\n\u003cp\u003eMuseo de Bellas Artes, Caracas, Venezuela\u003c\/p\u003e\n\u003cp\u003eMuseo de Bellas Artes, Havana, Cuba\u003c\/p\u003e\n\u003cp\u003eCentro Wifredo Lam, Havana, Cuba\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFor more info call us at (323) 744-7550, or to see a greater selection of the gallery work, please visit our Artnet site at:\u003c\/p\u003e\n\u003cdiv\u003e\u003ca href=\"http:\/\/www.artnet.com\/galleries\/mla-gallery\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003ehttp:\/\/www.artnet.com\/galleries\/mla-gallery\/\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"MLA Gallery","offers":[{"title":"Default Title","offer_id":39391539593318,"sku":"9995","price":4950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0087\/6192\/products\/IMG_7883_1.jpg?v=1768561044"},{"product_id":"raul-enmanuel-la-mascara","title":"Raul Enmanuel - La Mascara | Original Mixed-Media Art","description":"\u003cdiv style=\"margin-left: 52px; margin-right: 52px; text-align: justify;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003ch3 style=\"margin-left: 52px; margin-right: 52px; text-align: justify;\"\u003e\n\u003cbr\u003eRaul Enmanuel - La Mascara | Original Mixed-Media Art\u003c\/h3\u003e\n\u003cdiv style=\"margin-left: 52px; margin-right: 52px; text-align: justify;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"margin-left: 52px; margin-right: 52px; text-align: justify;\"\u003edone in 2021, in the DR, by this Cuban Master. medium-  a\u003cspan\u003ecrylic, charcoal, and material (wood particles, and moulding paste) on canvas.\u003c\/span\u003esize - 50 x 40\" (125 x 100cm.)\u003c\/div\u003e\n\u003cdiv style=\"margin-left: 52px; margin-right: 52px; text-align: justify;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"margin-left: 52px; margin-right: 52px; text-align: justify;\"\u003eThis is a wonderful example of Enmanuel's increasing command of the canvas medium. His texture, composition, symbology, and technical mastery continue to improve. This is his latest work, and though his imagery leans toward the abstract, he has hinted that these paintings are representative of feminine, divine beings of a benevolent, and supportive nature. There is great power in these paintings, and the imagery seems to be blended with the abstract, tropical landscape quality he has become known for. Though there are hints of where Enmanuel's points of inspiration come from, the iconography he has developed is entirely his own. You may consult his bio for more details.\u003c\/div\u003e\n\u003cdiv style=\"margin-left: 52px; margin-right: 52px; text-align: justify;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"margin-left: 52px; margin-right: 52px; text-align: justify;\"\u003eThere are several more paintings from this series available. Please inquire.Enmanuel's work was prominently featured in the 4th season of the Fox Television's show \"Prison Break\". It was used to decorate the loft space in the show, and his work can be seen in a number of episodes.\u003c\/div\u003e\n\u003cdiv style=\"margin-left: 52px; margin-right: 52px; text-align: justify;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"margin-left: 52px; margin-right: 52px; text-align: justify;\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe origins of his iconography are in the early work of Wifredo Lam. One can see elements that are a reminder of this great artist's work. Though Enmanuel has used these elements as a point of inspiration, he has succeeded in making the work entirely his own. He has focused on Lam's early jungle work as a jumping off point, to create a body of symbols, and a language that depicts a reverence for Mother Nature, and his work has a power and intensity that is rarely found in contemporary art. \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-left: 52px; margin-right: 52px; text-align: justify;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"margin-left: 52px; margin-right: 52px; text-align: justify;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWe at MLA search for contemporary artists that have both conceptual genius, and technical mastery. A combination of qualities rarely found today, but present in abundance in the work of this brilliant artist. Enmanuel was selected to create two huge murals in Cuba. One is a 40 ft. mural at the Railway Station in Santiago, and the other is a 30 ft. mural in the lobby of the Melia Cohiba, which is the top hotel in Eastern Cuba. These are both extremely prestigious projects, and have placed this great artist in an important historical context. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"margin-left: 52px; margin-right: 52px; text-align: justify;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"margin-left: 52px; margin-right: 52px; text-align: justify;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWe have been in business for 25 years, and enjoy a very good feedback rating. We believe in, and offer outstanding customer service. We offer a life-time trade in policy. Please inquire. We enjoy a very good feedback rating. Check out MLA Gallery, Los Angeles on Google or on Facebook, at \u003ca href=\"https:\/\/www.facebook.com\/mlagallery\/\" data-mce-fragment=\"1\"\u003ehttps:\/\/www.facebook.com\/mlagallery\/\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"margin-left: 52px; margin-right: 52px; text-align: justify;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"margin-left: 52px; margin-right: 52px; text-align: justify;\"\u003eMLA Gallery has many other paintings by Enmanuel, as well as a large selection of paintings, graphics, sculptures, and drawings by established Latin artists, and Latin Masters. Please inquire for many others.Some biographical info on Enmanuel is as follows:\u003c\/div\u003e\n\u003cdiv style=\"margin-left: 52px; margin-right: 52px; text-align: justify;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"margin-left: 52px; margin-right: 52px; text-align: justify;\"\u003e\u003cspan\u003eRAUL ENMANUEL POZO - BIOGRAPHY\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"margin-left: 52px; margin-right: 52px; text-align: justify;\"\u003e\n\u003cspan\u003eBorn in San Luis, Santiago, Cuba, 1958\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eStudies\u003c\/span\u003e\u003cspan\u003e1980-1985 Higher Institute of Art “CUBANACAN”, Havana, Cuba\u003c\/span\u003e\u003cspan\u003e1976-1980 National School of Art “CUBANACAN”, Havana, Cuba\u003c\/span\u003e\u003cspan\u003e1973- 1976   School for Plastic Arts Jose Joaquin Tejada, Santiago de Cuba\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eSolo Exhibitions\u003c\/span\u003e\u003cspan\u003e2004 – La locomotora de mi papa, Canvas Gallery, San Juan, Puerto Rico\u003c\/span\u003e\u003cspan\u003e2002 – Buscando Caminos, Galeria Juan Marinillo, Institute for the Friendship\u003c\/span\u003e\u003cspan\u003e            with People, Havana, Cuba\u003c\/span\u003e\u003cspan\u003e2000 – Mi Tiempo Vegetal, Casa de Teatro, Santo Domingo, Dominican Republic\u003c\/span\u003e\u003cspan\u003e1999 – Mi Tiempo Vegetal, Casa de Arte, Santiago de los Caballeros, Dominican\u003c\/span\u003e\u003cspan\u003e            Republic\u003c\/span\u003e\u003cspan\u003e1999 – Acrilicos sobre Telas, Galeria Oriente, Santiago, Cuba\u003c\/span\u003e\u003cspan\u003e1994 – Galeria Coral, Santa Fe de Bogota, Colombia\u003c\/span\u003e\u003cspan\u003e1993 – Tropico, Center of Applied Studies, Santo Domingo, Dominican Republic\u003c\/span\u003e\u003cspan\u003e1991 – Amuletos Recuerdo de mis abuelos, Galeria Oriente, Santiago, Cuba\u003c\/span\u003e\u003cspan\u003e1989 - Dibujos sobre Cartulinas, Galeria Cine Cuba, Santiago, Cuba\u003c\/span\u003e\u003cspan\u003e1988 – Dibujos sobre Cartulinas, Festival of Cuban Culture, Burdeo, France\u003c\/span\u003e\u003cspan\u003e1987 – 2nd annual Festival of Cuban Culture, Havana, Cuba\u003c\/span\u003e\u003cspan\u003e1987 – Apuntes para un Proyecto, Galeria de Arte Universal, Manzanillo, Cuba\u003c\/span\u003e\u003cspan\u003e1986 – De lo Nuestro La Vegetacion, Galeria de Arte Universal, Santiago, Cuba\u003c\/span\u003e\u003cspan\u003e1985 – Muntu, Galeria Galeano, Havana, Cuba\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eCollective Exhibitions\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eParticipated in over 50 group shows in Cuba, the Dominican Republic, Colombia,\u003c\/span\u003e\u003cspan\u003ePortugal, France, and the United States.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e2008 – The Americas Collection – Coral Gables, Florida\u003c\/span\u003e\u003cspan\u003e2008 – Featured artist - Spring Brewery Artwalk, MLA Gallery, Los Angeles, CA\u003c\/span\u003e\u003cspan\u003e2008 – Spring Brewery Artwalk, LS Contemporary, Los Angeles, CA\u003c\/span\u003e\u003cspan\u003e2007 – Fall Brewery Artwalk, MLA Gallery, Los Angeles, CA\u003c\/span\u003e\u003cspan\u003e2007 – Outstanding new contemporary artists, LS Contemporary, Los Angeles, CA\u003c\/span\u003e\u003cspan\u003e2007 – Elements of Abstraction, Gallery on State, Santa Barbara, CA\u003c\/span\u003e\u003cspan\u003e2006 – Brewery Artwalk, MLA Gallery, Los Angeles, CA\u003c\/span\u003e\u003cspan\u003e2005 – Crosscurrents, Soho Gallery, Studio City, CA\u003c\/span\u003e\u003cspan\u003e2005 – Contemporary Visions, Audis Husar Fine Art, Beverly Hills, CA\u003c\/span\u003e\u003cspan\u003e2005 – Brewery Artwalk, MLA Gallery, Los Angeles, CA\u003c\/span\u003e\u003cspan\u003e2004 – Tropical Profundo, MLA Gallery, Los Angeles, CA\u003c\/span\u003e\u003cspan\u003e2004 – Brewery Artwalk, MLA Gallery, Los Angeles, CA\u003c\/span\u003e\u003cspan\u003e2003 - Brewery Artwalk, MLA Gallery, Los Angeles, CA\u003c\/span\u003e\u003cspan\u003e2003 - Cuban Artists, Gallery Nader, Santo Domingo, Dominican Republic\u003c\/span\u003e\u003cspan\u003e2002 – Brewery Artwalk, MLA Gallery, Los Angeles, CA\u003c\/span\u003e\u003cspan\u003e2002 – Cuban Painters, Naipe Museum, Havana, Cuba\u003c\/span\u003e\u003cspan\u003e2001 – Cuban Artists, Gallery Nader, Santo Domingo, Dominican Republic\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e2000 – Four Abstract Painters, Galeria San Ignacio, Havana, Cuba\u003c\/span\u003e\u003cspan\u003e2000 - Participant in the 7th Havana Biennial\u003c\/span\u003e\u003cspan\u003e1999 - End of the Century Hall, Emilio Bacardi Museum, Santiago, Cuba\u003c\/span\u003e\u003cspan\u003e1999 - Serigraphy Workshop, Taller Rene Portocarrero, Havana, Cuba\u003c\/span\u003e\u003cspan\u003e1999 - Cuban Painters, Museum of the Americas, San Juan, Puerto Rico\u003c\/span\u003e\u003cspan\u003e1998 - Galeria de Arte Universal, Santiago, Cuba\u003c\/span\u003e\u003cspan\u003e1998 - Galeria Oriente, Santiago, Cuba\u003c\/span\u003e\u003cspan\u003e1997 - Salon de 30 de Noviembre, Santiago, Cuba\u003c\/span\u003e\u003cspan\u003e1996 - The Gallery of the Hotel Melia Cohiba, Santiago, Cuba\u003c\/span\u003e\u003cspan\u003e1995 - House of Culture Gallery, Lisbon, Portugal\u003c\/span\u003e\u003cspan\u003e1994 - Art Center Gallery, Nelva, Colombia\u003c\/span\u003e\u003cspan\u003e1994 – Five Cuban Painters, Viva del Arte Galeria, Bogota, Colombia\u003c\/span\u003e\u003cspan\u003e1993 - Four Cuban Painters, Art Gallery of the Dominican Institute of Applied\u003c\/span\u003e\u003cspan\u003e            Studies ( IDEA), Santo Domingo, D.R.\u003c\/span\u003e\u003cspan\u003e1990 – Contemporary Painting, Center for Dominican Architecture, Santo                                  \u003c\/span\u003e\u003cspan\u003e            Domingo, Dominican Republic\u003c\/span\u003e\u003cspan\u003e1988 – Cuban Painters, Centro de Arte 501, San Francisco\u003c\/span\u003e\u003cspan\u003e1988 - Cultural Assets Hall Fund, Santiago, Cuba\u003c\/span\u003e\u003cspan\u003e1987 - Salon 30 de Noviembre, Santiago, Cuba\u003c\/span\u003e\u003cspan\u003e1987 - Galeria de Arte Universal, Santiago, Cuba\u003c\/span\u003e\u003cspan\u003e1986 - Seven Cuban Painters, Gallery of the House of Culture, Havana, Cuba\u003c\/span\u003e\u003cspan\u003e1986 - Participant in the 2nd Havana Biennial\u003c\/span\u003e\u003cspan\u003e1985 - Students Hall of the Hermanos Sainz Brigade, Galerie Oriente, Santiago,\u003c\/span\u003e\u003cspan\u003e            Cuba\u003c\/span\u003e\u003cspan\u003e1984 – Students Hall, Higher Institute of Art, Cubanacan, Havana, Cuba\u003c\/span\u003e\u003cspan\u003e1984 - Participant in the 1st Havana Biennial – A Tribute to the Triumph of the\u003c\/span\u003e\u003cspan\u003e            Cuban Revolution, Lobby of the Carl Marx Theatre, Havana, Cuba\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eMurals\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eRestaurant of Melia Cohiba Hotel, Santiago, Cuba\u003c\/span\u003e\u003cspan\u003eRailway Terminal, Santiago, Cuba\u003c\/span\u003e\u003cspan\u003eExecutive Airport, Santiago, Cuba\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eAwards\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e1999 - National Prize of Serigraphy, Workshop “Rene Portocarrero”\u003c\/span\u003e\u003cspan\u003e1998 - Cuban Cultural Assets Fund, 1st prize for painting\u003c\/span\u003e\u003cspan\u003e1998 - Salon Fin de Siglo, National Union of Cuban Writers and Artists (UNEAC)\u003c\/span\u003e\u003cspan\u003e1997 - Honorable mention – Emilio Bacardi Museum, Santiago, Cuba\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e1997 - First Prize, Acquisition for Permanent Collection, Emilio Bacardi Museum,\u003c\/span\u003e\u003cspan\u003e            Santiago, Cuba\u003c\/span\u003e\u003cspan\u003e1989 - National Award for the Painting on Canvas, TELARTE Vll, Cultural assets\u003c\/span\u003e\u003cspan\u003e            of Cuba Fund\u003c\/span\u003e\u003cspan\u003e1987 - Honorable mention, Painting, City Hall, Santiago, Cuba\u003c\/span\u003e\u003cspan\u003e1986 – 1st Prize for the Carnival Poster, San Luis, Santiago, Cuba\u003c\/span\u003e\u003cspan\u003e1985 - Honorable mention, Students Hall of the Hermanos Sainz Brigade,\u003c\/span\u003e\u003cspan\u003e           Galeria Oriente, Santiago, Cuba\u003c\/span\u003e\u003cspan\u003e1984 – 1st Prize for the Carnival Poster, San Luis, Santiago, Cuba\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eDistinctions\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e1998 - Shield of Villa de San Luis de las Enramadas, Santiago, Cuba\u003c\/span\u003e\u003cspan\u003e1997 – Official Key of the Cultural Assets of Cuba Fund, Santiago, Cuba\u003c\/span\u003e\u003cspan\u003e            Member of UNEAC (National Union of Cuban Writers and Artists)\u003c\/span\u003e\u003cspan\u003e            Member of the International Association of Plastic Artists\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eCollections\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eHis works can be found in many permanent and private collections.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eEmilio Bacardi Museum, Santiago, Cuba\u003c\/span\u003e\u003cspan\u003eMuseo Polivalente, Santiago, Cuba\u003c\/span\u003e\u003cspan\u003eCenter of Art Ceballo Estrella, Santiago, Cuba\u003c\/span\u003e\u003cspan\u003eMLA Gallery Collection, Los Angeles, CA\u003c\/span\u003e\u003cspan\u003eBanco de Reservas, Santo Domingo, D.R.\u003c\/span\u003e\u003cspan\u003eIn addition to many private collections throughout Cuba, the Dominican Republic,\u003c\/span\u003e\u003cspan\u003eColombia, Mexico, Jamaica Spain, Germany, France, Italy, Portugal, and the \u003c\/span\u003e\u003cspan\u003eUnited States.\u003c\/span\u003eFor more info call us at (323) 744-7550, or to see a greater selection of the gallery work, please visit our Artnet site at:\u003ca href=\"http:\/\/www.artnet.com\/galleries\/mla-gallery\/\" target=\"_blank\"\u003ehttp:\/\/www.artnet.com\/galleries\/mla-gallery\/\u003c\/a\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e","brand":"MLA Gallery","offers":[{"title":"La Mascara","offer_id":39713639465062,"sku":"10385","price":4500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0087\/6192\/products\/Mascara-50x40.jpg?v=1768559734"},{"product_id":"vladimir-cora-banistas-ii","title":"Vladimir Cora - Banistas II","description":"\u003ch3\u003eVladimir Cora - Banistas II | Limited Time Offer\u003c\/h3\u003e\n\n\u003cp\u003eThis outstanding painting by Cora measures 72.5 x 51\", and is framed. It is in excellent condition. Paintings of this size and quality sell for $40,000 to $45,000 in his other galleries. \u003cspan data-mce-fragment=\"1\"\u003eOurs are priced at half that, and we have just reduced the price, to celebrate our 25th anniversary. \u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIf this work is something of serious interest to you, and you want to add a museum quality, monumental work by Cora to your collection, you might be in luck. I would encourage a conversation about this work. This is a very large painting, and we are trying to free up some space in our storage area, so a very good deal might be possible on this.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eThis work will be shipped free worldwide, if rolled in a secure tube. It is available for pickup or \u003cspan style=\"text-decoration: underline;\"\u003efree delivery within the US, with the framing. If shipped framed domestically, we will ship complimentary. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eHis career is on the ascendancy, and it appears as if the art community, critics, museums, and collectors are beginning to acknowledge his significance. After all, it was Tamayo who asked Bernard Lewin to represent this young man, when few knew of his existence. He was a student of Tamayo at the time, and he was very fond of Cora's work. Lewin did very well with his work, and now, the same applies to several other galleries in the US, and in Mexico. He has enjoyed over 150 shows worldwide, and is in the permanent collection of many significant museums. Very few works from this period by Cora are presently available anywhere in the world.\u003cbr\u003e\u003cbr\u003eThis work is nicely framed. If shipped internationally it will be shipped without the framing.\u003cbr\u003e\u003cbr\u003eWe offer a life-time trade in policy. Please inquire. For more info please contact us at (323) 744-7550, or (626) 664-2060. We have been in business for 20 years, and enjoy a very good feedback rating. We believe in, and offer outstanding customer service. MLA Gallery has many other paintings by Cora, as well as a large selection of paintings, graphics, sculptures, and drawings by established Latin artists, and Latin Masters. Please inquire for many others.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e","brand":"MLA Gallery","offers":[{"title":"Default Title","offer_id":44903470989610,"sku":"10925","price":24000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0087\/6192\/files\/Cora-LasBanistasII-72.5x51.jpg?v=1768559026"},{"product_id":"martin-riwnyj-mixed-media-painting","title":"Martin Riwnyj - Circo I","description":"\u003cp\u003e Martin Riwnyj mixed-media painting Circo I\u003c\/p\u003e\n\n\u003cp\u003eThis outstanding painting is 200 x 150cm. (79 x 60\"). It is acrylic and collage on canvas. Done in 2008. \u003cspan data-mce-fragment=\"1\"\u003eThis work will be shipped free, rolled in a secure tube, within the US. For international shipping, the work will be shipped UPS or DHL express, at a cost of $250.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003eMartín Riwnyj was born in Buenos Aires and has found the world to be a house with open doors for the inspiration and creation of his works. Spending his time between his native Argentina, Italy, Spain, Peru, Colombia, and Russia, he finds himself frequently visiting museums, galleries, art venues, and remote towns to expand his imagination.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003eAlthough his training was classical, he quickly adopted a unique style that today distinguishes him in the world of contemporary art. Martin’s technique is vibrant, crisp, nostalgic, precise, and skilled. Using light, color, and geometric pattern, he merges images of urban landscapes with the people and creatures that inhabit them. He creates work that transcends the commonplace. Martin’s paintings have been exhibited internationally and are valued by collectors throughout the world.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003eMARTIN RIWNYJ BUENOS AIRES, ARGENTINA - 1972 Estudió en la Escuela Nacional de Bellas Artes Prilidiano Pueyrredón, de donde egresó como profesor de dibujo y pintura en 1995. Realizó un viaje de estudios a España, Francia e Italia en 1998 y regresó a Europa en el año 2001. En esta ocasión, además de los países nombrados, visitó museos, galerías y talleres de Inglaterra, Escocia, Irlanda y Holanda. Su obra ha merecido varias distinciones desde que comenzó a participar en muestras colectivas y certámenes plásticos. Ha expuesto a nivel individual a partir de 1996 en su ciudad natal; luego, su obra ha sido acogida regularmente en Lima, Roma, Milán y Miami.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eHistoria\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e1972          Nace el 29 de noviembre en la ciudad de Buenos Aires. \u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e1983\/88    Academia Arthea. Lanús, Buenos Aires. \u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e1988\/89    Instituto Angelus Avellaneda, Buenos Aires. \u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e1990\/95    Escuela Nacional de Bellas Artes Prilidiano Pueyrredón. Egresa como profesor                        Nacional de Dibujo y Pintura. \u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e1998     Viaje de estudio a España, Francia e Italia. \u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e2001     Viaje de estudio a España, Inglaterra, Escocia, Irlanda, Holanda e Italia.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eAlgunas exposiciones individuales\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e2019  Cariló Arte Contemporáneo, Provincia de Buenos Aires.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e              Galería Sharon Art, León, España\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e              Silber Gallery, Roma, Italia\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e2018     37 Club Art Gallery. Moscú. Rusia\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e2017     Espacio de Arte “Viajes. El Corte Ingles” con Enlace Arte Contemporáneo. Lima, Perú.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e2016     Cariló Arte Contemporáneo, Provincia de Buenos Aires.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e              Silber Gallery, Roma, Italia.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e2015     Galería Sharon Art, León, España .\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e              Galería Cervantes 6 Espacio de Arte, Oviedo, España.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e2013     Galería De Santi, Buenos Aires, Argentina\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e              Fundación Euroidiomas, Lima, Perú.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e2012     Galería Sharon Art, León, España\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e2011     Galería De Santi, Buenos Aires, \u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e            Argentina\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e2010      Enlace Arte Contemporáneo, Lima, Perú \u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e              Galería Monticelli, Gijón, España.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e2009     Galería Murillo, Oviedo, España.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e2008     Rivergarden Gallery, New Jersey, USA \u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e              Galería De Santi, Buenos Aires, Argentina\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e            Galería Domus, Roma, Italia.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e2007     Galería Sharon Art, León,  España \u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e              Galería Italarte, Roma, Italia.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e2006     Sala de Arte Salví, Gijón, España.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e              Galería Tassart, Paris, Francia.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e            Galería Sharon Art, León, España.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e              Galería Domus, Roma, Italia.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e              Galería Senato, Milán, Italia.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e              Expotrastiendas 2006, Galería De Santi, Buenos Aires, Argentina.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e              Galería De Santi, Buenos Aires.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e2005     Galería Praxis, Lima, Perú.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e               Expotrastiendas 2005, Galería Pegasus, Buenos Aires, Argentina.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e            Galería Sharon Art, León, España.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e              Galería Portuense, Roma, Italia.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e2004     Galería Italarte, Roma, Italia.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e2003     Galería Adriana Indik, Buenos Aires, Argentina.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e              Galería Falleria, Roma, Italia.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e              Galería Senato,  Milán, Italia.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e2002     Galería Portuense, Roma, Italia.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e              Galería Domus, Roma, Italia.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e              Galería Senato,  Milán,  Italia.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e              Galería L’indicatore,  Roma, Italia.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e2001     Galería Obsidiana, Lima, Perú.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e1999     “La Dama de Bollini”, Buenos Aires, Argentina.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e              Galería Adriana Indik, Buenos Aires, Argentina.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e1998     Galería de Arte Sala 1, Centro Cultural General San Martín, Buenos Aires, Argentina\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e1997     Espacio de arte Girondo, Buenos Aires, Argentina.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e              Open Plaza Gallery, Buenos Aires, Argentina.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e1996     Galería “Vía Colore”, Buenos Aires, Argentina.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e              Galería de Arte Sala 1,  Centro Cultural General San Martín, Buenos Aires, Argentina.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eAlgunas distinciones\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e2019      Seleccionado XV Salón de Artes visuales de Junín, Buenos Aires\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e               Seleccionado IX  Salón de Pintura, Camara Argentina de la Construcción, La Plata,          \u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e2006     4to. Premio. Bienal de Arte Sacro de Morón, Buenos Aires\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e2005     Mención. Salón de Arte Sacro de Tandil. Museo de Bellas Artes de Tandil, Buenos Aires\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e2004     Primer Premio. Salón Felix Amador. Vicente López, Buenos Aires\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e2003     Mención de honor. Salón de dibujo “Guamán Poma”. Entre Rios, Buenos Aires.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e            Mención Salón Galerias Pacífico- Centro Cult.Borges. Buenos Aires\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e2001     1er. Premio XIX Salón del Tango “Sigfredo Pastor”. Vicente Lopez, Buenos Aires.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e            1er. Premio. Salón de invierno- E de A- 2001. Buenos Aires.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e2000     Mención. Fundación Octubre. Buenos Aires.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e              1er. Premio 72º Salón C.O.A.P. - Necochea- (Dibujo). Buenos Aires.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e              Mención de Honor. Salón “Buenos Aires de Ayer y Hoy”. Galería Alicia Brandy. \u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e              2do. Premio. Salón de Arte Sacro de Tandil. Museo de Bellas Artes de Tandil. B.A.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e              Mención. XVIII Salón del Tango “Sigfredo Pastor” Vicente López. Buenos Aires.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e1999     1er. Premio. 6to. Salón de Pintura Círculo Médico Vicente López. Buenos Aires. \u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e            1era. Mención. V Salón “Encuentro con Pintores”. Fundación Bollini. B. A.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e            Mención. XVII Salón del Tango “Sigfredo Pastor”. Vicente López, Buenos Aires.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e              1er. Premio. XII Salón de Tango. Museo de Bellas Artes Félix Amador. Luján, B.A.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e              3er. Premio. Salón La Infancia. Galería de Arte Alicia Brandy. Buenos Aires.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e              1er. Premio. 71º Salón C.O.A.P.  Rauch, Buenos Aires.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e              1er.  Premio. Salón Nacional de Luján. Museo de Bellas Artes Félix Amador. B.A.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e               1er. Premio.  Salón Pampeano de Pintura. La Pampa, Argentina.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e1998     2do. Premio.  XI “Salón del Tango”. Museo de Bellas Artes Félix Amador. Luján, B.A.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e1997     1er. Premio. “Semana de la primavera”. Fundación Arte BA. Buenos Aires.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e            1era. Mención. III “Salón Encuentro con Pintores”. Fundación Bollini. Buenos Aires.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e              3era. Mención. “Arte Infinito”. Imagen Satelital. Buenos Aires\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e1996     1er. Premio. Pintura joven “Gente de arte de Avellaneda”. Buenos Aires\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e1994     2do. Premio Renoir. Concurso de manchas Buenos Aires. \u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e              Mención. “Jimi Hendrix Exhibition”. Centro Cultural Recoleta. Buenos Aires\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e1990     1er. Premio de Honor concurso de manchas. Escuela Bellas Artes de Lanús. B.A.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cdiv class=\"row\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\n\u003cp\u003e\u003c\/p\u003e","brand":"MLA Gallery","offers":[{"title":"Default Title","offer_id":46416665116970,"sku":"11015","price":9900.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0087\/6192\/files\/Circo1_200x150_2008_85477ac2-a5e6-4243-bac0-5e3ef4763088.jpg?v=1768558559"},{"product_id":"raul-enmanuel-la-flor-iii-original-cuban-art-painting","title":"Raul Enmanuel - La Flor III","description":"\u003cdiv style=\"margin-left: 52px; margin-right: 52px; text-align: justify;\"\u003e\u003c\/div\u003e\n\n\u003cdiv style=\"margin-left: 52px; margin-right: 52px; text-align: justify;\"\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003ch4\u003eRaul Enmanuel - La Flor III | Original Cuban Art Painting\u003c\/h4\u003e\n\u003cp\u003eThis painting was done in 2022, by this Cuban Master. \u003c\/p\u003e\n\u003cp\u003emedium-  a\u003cspan\u003ecrylic, charcoal, and material (wood particles, and moulding paste) on canvas.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003esize - 50 x 40\" (125 x 100cm.)\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis is a wonderful example of Enmanuel's increasing command of the canvas medium. His texture, composition, symbology, and technical mastery continue to improve. This is his latest work, and though his imagery leans toward the abstract, he has hinted that these paintings are representative of feminine, divine beings of a benevolent, and supportive nature. There is great power in these paintings, and the imagery seems to be blended with the abstract, tropical landscape quality he has become known for. Though there are hints of where Enmanuel's points of inspiration come from, the iconography he has developed is entirely his own. You may consult his bio for more details. There are several more paintings from this series available. Please inquire.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEnmanuel's work was prominently featured in the 4th season of the Fox Television's show \"Prison Break\". It was used to decorate the loft space in the show, and his work can be seen in a number of episodes.\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe origins of his iconography are in the early work of Wifredo Lam. One can see elements that are a reminder of this great artist's work. Though Enmanuel has used these elements as a point of inspiration, he has succeeded in making the work entirely his own. He has focused on Lam's early jungle work as a jumping off point, to create a body of symbols, and a language that depicts a reverence for Mother Nature, and his work has a power and intensity that is rarely found in contemporary art. We at MLA search for contemporary artists that have both conceptual genius, and technical mastery. A combination of qualities rarely found today, but present in abundance in the work of this brilliant artist. Enmanuel was selected to create two huge murals in Cuba. One is a 40 ft. mural at the Railway Station in Santiago, and the other is a 30 ft. mural in the lobby of the Melia Cohiba, which is the top hotel in Eastern Cuba. These are both extremely prestigious projects, and have placed this great artist in an important historical context. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWe have been in business for 20 years, and enjoy a very good feedback rating. We believe in, and offer outstanding customer service. We offer a life-time trade in policy. Please inquire. We enjoy a very good feedback rating. Check out MLA Gallery, Los Angeles on Google or on Facebook, at \u003ca href=\"https:\/\/www.facebook.com\/mlagallery\/\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/www.facebook.com\/mlagallery\/\"\u003ehttps:\/\/www.facebook.com\/mlagallery\/\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMLA Gallery has many other paintings by Enmanuel, as well as a large selection of paintings, graphics, sculptures, and drawings by established Latin artists, and Latin Masters. Please inquire for many others.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003eSome biographical info on Enmanuel is as follows:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRAUL ENMANUEL POZO - BIOGRAPHY\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBorn in San Luis, Santiago, Cuba, 1958\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eStudies\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1980-1985 Higher Institute of Art “CUBANACAN”, Havana, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1976-1980 National School of Art “CUBANACAN”, Havana, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1973- 1976   School for Plastic Arts Jose Joaquin Tejada, Santiago de Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSolo Exhibitions\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2004 – La locomotora de mi papa, Canvas Gallery, San Juan, Puerto Rico\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2002 – Buscando Caminos, Galeria Juan Marinillo, Institute for the Friendship\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e            with People, Havana, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2000 – Mi Tiempo Vegetal, Casa de Teatro, Santo Domingo, Dominican Republic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1999 – Mi Tiempo Vegetal, Casa de Arte, Santiago de los Caballeros, Dominican\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e            Republic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1999 – Acrilicos sobre Telas, Galeria Oriente, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1994 – Galeria Coral, Santa Fe de Bogota, Colombia\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1993 – Tropico, Center of Applied Studies, Santo Domingo, Dominican Republic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1991 – Amuletos Recuerdo de mis abuelos, Galeria Oriente, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1989 - Dibujos sobre Cartulinas, Galeria Cine Cuba, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1988 – Dibujos sobre Cartulinas, Festival of Cuban Culture, Burdeo, France\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1987 – 2nd annual Festival of Cuban Culture, Havana, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1987 – Apuntes para un Proyecto, Galeria de Arte Universal, Manzanillo, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1986 – De lo Nuestro La Vegetacion, Galeria de Arte Universal, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1985 – Muntu, Galeria Galeano, Havana, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCollective Exhibitions\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eParticipated in over 50 group shows in Cuba, the Dominican Republic, Colombia,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePortugal, France, and the United States.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2008 – The Americas Collection – Coral Gables, Florida\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2008 – Featured artist - Spring Brewery Artwalk, MLA Gallery, Los Angeles, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2008 – Spring Brewery Artwalk, LS Contemporary, Los Angeles, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2007 – Fall Brewery Artwalk, MLA Gallery, Los Angeles, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2007 – Outstanding new contemporary artists, LS Contemporary, Los Angeles, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2007 – Elements of Abstraction, Gallery on State, Santa Barbara, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2006 – Brewery Artwalk, MLA Gallery, Los Angeles, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2005 – Crosscurrents, Soho Gallery, Studio City, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2005 – Contemporary Visions, Audis Husar Fine Art, Beverly Hills, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2005 – Brewery Artwalk, MLA Gallery, Los Angeles, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2004 – Tropical Profundo, MLA Gallery, Los Angeles, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2004 – Brewery Artwalk, MLA Gallery, Los Angeles, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2003 - Brewery Artwalk, MLA Gallery, Los Angeles, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2003 - Cuban Artists, Gallery Nader, Santo Domingo, Dominican Republic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2002 – Brewery Artwalk, MLA Gallery, Los Angeles, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2002 – Cuban Painters, Naipe Museum, Havana, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2001 – Cuban Artists, Gallery Nader, Santo Domingo, Dominican Republic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e2000 – Four Abstract Painters, Galeria San Ignacio, Havana, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2000 - Participant in the 7th Havana Biennial\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1999 - End of the Century Hall, Emilio Bacardi Museum, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1999 - Serigraphy Workshop, Taller Rene Portocarrero, Havana, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1999 - Cuban Painters, Museum of the Americas, San Juan, Puerto Rico\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1998 - Galeria de Arte Universal, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1998 - Galeria Oriente, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1997 - Salon de 30 de Noviembre, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1996 - The Gallery of the Hotel Melia Cohiba, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1995 - House of Culture Gallery, Lisbon, Portugal\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1994 - Art Center Gallery, Nelva, Colombia\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1994 – Five Cuban Painters, Viva del Arte Galeria, Bogota, Colombia\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1993 - Four Cuban Painters, Art Gallery of the Dominican Institute of Applied\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e            Studies ( IDEA), Santo Domingo, D.R.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1990 – Contemporary Painting, Center for Dominican Architecture, Santo                                  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e            Domingo, Dominican Republic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1988 – Cuban Painters, Centro de Arte 501, San Francisco\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1988 - Cultural Assets Hall Fund, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1987 - Salon 30 de Noviembre, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1987 - Galeria de Arte Universal, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1986 - Seven Cuban Painters, Gallery of the House of Culture, Havana, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1986 - Participant in the 2nd Havana Biennial\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1985 - Students Hall of the Hermanos Sainz Brigade, Galerie Oriente, Santiago,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e            Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1984 – Students Hall, Higher Institute of Art, Cubanacan, Havana, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1984 - Participant in the 1st Havana Biennial – A Tribute to the Triumph of the\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e            Cuban Revolution, Lobby of the Carl Marx Theatre, Havana, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMurals\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRestaurant of Melia Cohiba Hotel, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRailway Terminal, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eExecutive Airport, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAwards\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1999 - National Prize of Serigraphy, Workshop “Rene Portocarrero”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1998 - Cuban Cultural Assets Fund, 1st prize for painting\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1998 - Salon Fin de Siglo, National Union of Cuban Writers and Artists (UNEAC)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1997 - Honorable mention – Emilio Bacardi Museum, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1997 - First Prize, Acquisition for Permanent Collection, Emilio Bacardi Museum,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e            Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1989 - National Award for the Painting on Canvas, TELARTE Vll, Cultural assets\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e            of Cuba Fund\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1987 - Honorable mention, Painting, City Hall, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1986 – 1st Prize for the Carnival Poster, San Luis, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1985 - Honorable mention, Students Hall of the Hermanos Sainz Brigade,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e           Galeria Oriente, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1984 – 1st Prize for the Carnival Poster, San Luis, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDistinctions\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1998 - Shield of Villa de San Luis de las Enramadas, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1997 – Official Key of the Cultural Assets of Cuba Fund, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e            Member of UNEAC (National Union of Cuban Writers and Artists)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e            Member of the International Association of Plastic Artists\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCollections\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHis works can be found in many permanent and private collections.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEmilio Bacardi Museum, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMuseo Polivalente, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCenter of Art Ceballo Estrella, Santiago, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMLA Gallery Collection, Los Angeles, CA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBanco de Reservas, Santo Domingo, D.R.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn addition to many private collections throughout Cuba, the Dominican Republic,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eColombia, Mexico, Jamaica Spain, Germany, France, Italy, Portugal, and the \u003c\/span\u003e\u003cspan\u003eUnited States.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003eFor more info call us at (323) 744-7550, or to see a greater selection of the gallery work, please visit our Artnet site at:\u003c\/p\u003e\n\u003cdiv\u003e\u003ca href=\"http:\/\/www.artnet.com\/galleries\/mla-gallery\/\" target=\"_blank\"\u003ehttp:\/\/www.artnet.com\/galleries\/mla-gallery\/\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"MLA Gallery","offers":[{"title":"La Flor III","offer_id":46533302190378,"sku":"11252","price":4500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0087\/6192\/files\/DSC_0783copy.jpg?v=1768558455"},{"product_id":"vladimir-cora-mujer","title":"Vladimir Cora - Mujer","description":"\u003ch3\u003e\u003cspan data-mce-fragment=\"1\"\u003eVladimir Cora - Mujer Rare Serigraph in Excellent Condition\u003c\/span\u003e\u003c\/h3\u003e\n\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis outstanding serigraph by Cora measures 31 x 23\". It is in excellent condition. This one is very rare, and nearly impossible to find. It came from the LACMA collection, which was a bequest from Bernard Lewin. \u003cmeta charset=\"UTF-8\"\u003eThis work was published by B. Lewin Gallery, Palm Springs, CA., and was done in 1995. It is unframed, and appears to have never been framed. It was likely kept in the vault of Lewin, then the vaults of LACMA. It is pristine. It is available for pickup, or we will ship this work internationally at our cost. This work will be shipped flat, within the US, for $75. For international shipping, we will pack and ship at our cost, which will be $150.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003eHis career is on the ascendancy, and it appears as if the art community, critics, museums, and collectors are beginning to acknowledge his significance. After all, it was Tamayo who asked Bernard Lewin to represent this young man, when few knew of his existence. He was a student of Tamayo at the time, and he was very fond of Cora's work. Lewin did very well with his work, and now, the same applies to several other galleries in the US, and in Mexico. He has enjoyed over 150 shows worldwide, and is in the permanent collection of many significant museums. Very few works from this period by Cora are presently available anywhere in the world.\u003cbr\u003e\u003cbr\u003eWe offer a life-time trade in policy. Please inquire. For more info please contact us at (323) 792-3779, or (626) 664-2060. We have been in business for 20 years, and enjoy a very good feedback rating. We believe in, and offer outstanding customer service. MLA Gallery has many other paintings by Cora, as well as a large selection of paintings, graphics, sculptures, and drawings by established Latin artists, and Latin Masters. Please inquire for many others.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e","brand":"MLA Gallery","offers":[{"title":"Mujer","offer_id":47396153196842,"sku":"11497","price":1500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0087\/6192\/files\/25387525-8-1.jpg?v=1768557952"},{"product_id":"vladimir-cora-cindy-in-red","title":"Vladimir Cora - Cindy in Red","description":"\u003ch4\u003eVladimir Cora - Cindy in Red\u003c\/h4\u003e\n\n\u003cp\u003eThis outstanding painting by Cora measures 36 x 30. Plus framing.\" It is in excellent condition, and it a gorgeous.\u003c\/p\u003e\n\n\u003cp\u003ePaintings of this size and quality sell for $15,000, and up, in the retail galleries. This painting is from 1998. It was acquired from a significant New York collection. \u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003eThis work will be shipped free worldwide, if rolled in a secure tube. It is available for pickup. If shipped domestically, we will ship with the framing, for an additional $250 for packing and shipping costs, or complimentary, if shipped stretched without the frame. \u003cbr\u003e\u003cbr\u003eHis career is on the ascendancy, and it appears as if the art community, critics, museums, and collectors are beginning to acknowledge his significance. After all, it was Tamayo who asked Bernard Lewin to represent this young man, when few knew of his existence. He was a student of Tamayo at the time, and he was very fond of Cora's work. Lewin did very well with his work, and now, the same applies to several other galleries in the US, and in Mexico. He has enjoyed over 150 shows worldwide, and is in the permanent collection of many significant museums. Very few works from this period by Cora are presently available anywhere in the world.\u003cbr\u003e\u003cbr\u003eThis work is nicely framed. If shipped internationally it will be shipped without the framing.\u003cbr\u003e\u003cbr\u003eWe offer a life-time trade in policy. Please inquire. For more info please contact us at (323) 744-7550, or (626) 664-2060. We have been in business for 20 years, and enjoy a very good feedback rating. We believe in, and offer outstanding customer service. MLA Gallery has many other paintings by Cora, as well as a large selection of paintings, graphics, sculptures, and drawings by established Latin artists, and Latin Masters. Please inquire for many others.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cdiv class=\"col-md-6\"\u003eCora's work is included in the permanent collections of the following museums: \u003c\/div\u003e\n\n\u003cdiv class=\"col-md-6\"\u003eMuseo de Arte Contemporáneo Internacional Rufino Tamayo, Mexico, D.F. \u003c\/div\u003e\n\n\u003cdiv class=\"col-md-6\"\u003eMuseo de Arte Moderno; INBA, Mexico, D.F. \u003c\/div\u003e\n\n\u003cdiv class=\"col-md-6\"\u003eMuseo de Arte de Queretaro; Queretaro, Mexico. \u003c\/div\u003e\n\n\u003cdiv class=\"col-md-6\"\u003eEverson Museum of Art; Syracuse, NY. \u003c\/div\u003e\n\n\u003cdiv class=\"col-md-6\"\u003eKnoxville Museum of Art; Knoxville, TN. \u003c\/div\u003e\n\n\u003cdiv class=\"col-md-6\"\u003eSamuel P. Harn Museum of Art; University of Florida. \u003c\/div\u003e\n\n\u003cdiv class=\"col-md-6\"\u003eVincent Price College; Los Angeles, CA. \u003c\/div\u003e\n\n\u003cdiv class=\"col-md-6\"\u003ePalm Springs Museum of Art; Palm Springs, California. \u003c\/div\u003e\n\n\u003cdiv class=\"col-md-6\"\u003eLos Angeles County Museum of Art, Los Angeles, CA. \u003c\/div\u003e\n\n\u003cdiv class=\"col-md-6\"\u003eMuseum of Latin American Art in Long Beach, CA. \u003c\/div\u003e\n\n\u003cdiv class=\"col-md-6\"\u003eSan Antonio Museum of Art, San Antonio, TX \u003c\/div\u003e\n\n\u003cp\u003e\u003c\/p\u003e","brand":"MLA Gallery","offers":[{"title":"Default Title","offer_id":49775304737066,"sku":"12475","price":9500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0087\/6192\/files\/cora--cindy_3.jpg?v=1768557154"},{"product_id":"jose-bedia-piango-piango-artwork","title":"Jose Bedia - Longo L Embo Artwork","description":"\u003cp\u003eJose Bedia - Longo L Embo Artwork, \u003cspan\u003eThis etching is an outstanding example of contemporary Cuban printmaking, created in 1996 and printed on heavily textured Super Alfa de Guarro paper. Its large format and immaculate condition highlight the character of the medium and the depth of the imagery.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003eEtching, aquatint, drypoint, and carborundum in four plates, 50 signed and numbered copies\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e1996\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e74 x 98 cm (29 x 39 in)\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003ePublished by Editart, D. Blanco, Geneva, Switzerland\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003eThis work demonstrates Bedia’s unique approach to contemporary art, merging technical mastery with rich cultural narratives. Free shipping is available within the US, with worldwide express shipping at $150. Fredric Snitzer Gallery now represents Bedia, whose promotion of his work is expected to significantly increase its recognition and value over the coming years.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003eFew Cuban artists have developed a body of work as coherent and original as José Bedia. In his paintings, drawings, and installations, he draws on cultural references from Cuba, Latin America, the Caribbean, and Africa, focusing on traditions often overlooked by Western perspectives. In Jose Bedia - Longo L Embo Artwork, these influences are distilled into a visually compelling narrative, reflecting both formal and philosophical depth.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003eBedia’s creative process, though seemingly intuitive, integrates rigorous study and a deep understanding of cultural systems. The seemingly simple, schematic nature of his works conceals a wealth of symbolic, historical, and aesthetic knowledge.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003eHis works are held in prominent museum collections worldwide, including:\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003eWhitney Museum of American Art, New York, NY\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003eGuggenheim Museum, New York, NY\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003eMetropolitan Museum of Art, New York, NY\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003eMuseum of Modern Art, New York, NY\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003eMOCA, Long Beach, CA\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003ePAMM, Miami, Florida\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003eTate Museum, London, UK\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003eMuseo de Bellas Artes, Havana, Cuba\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e…and many others.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003eThe visionary quality and cultural depth of Jose Bedia - Longo L Embo Artwork make it a standout example of contemporary Cuban art.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003eFor more information, call (323) 792-3779 or visit:\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003ehttp:\/\/www.artnet.com\/galleries\/mla-gallery\/\u003c\/span\u003e\u003ca href=\"http:\/\/www.artnet.com\/galleries\/mla-gallery\/\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"MLA Gallery","offers":[{"title":"Default Title","offer_id":50952469283114,"sku":"13701","price":2900.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0087\/6192\/files\/Bedia.Litho.19_fead3df3-daf2-4a48-b08f-45e4f0af40d0.jpg?v=1768555546"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0087\/6192\/collections\/photo_5899902536666254700_y.jpg?v=1776315343","url":"https:\/\/mlagallery.com\/collections\/latin-fine-art-decor-exclusive-styles-20-off.oembed","provider":"MLA Gallery","version":"1.0","type":"link"}